The Shallow pedal, Shaping lines, and links to Artur Schnabel, Tobias Matthay

This past week, shrinking degrees of musical separation led to an intersection of my own ideas about phrase shaping and pedaling with those of Schnabel, via his pupil, Eunice Norton. Norton's bio is capsulized at Graham Fitch's website, https://practisingthepiano.com/eunice-norton-schnabel-matthay/ "A student of both Schnabel and Matthay was American pianist Eunice Norton (1908 – 2005). She…

Jeanne Bamberger, 94, shares a rich and abundant musical life

A former student of legendary pianist, Artur Schnabel, Jeanne Shapiro Bamberger sat comfortably at her piano bench, nestled in her Berkeley Hills home. She meticulously traced her East to West Coast journey that's reached beyond the boundaries of piano performance. Through decades of creative discovery, Bamberger has synthesized elements of music and cognition; form, structure,…

“Hear it before you play it!”

Leon Fleisher, an icon in the universe of pianists, put it succinctly. He channeled the wisdom of Artur Schnabel that embodied the idea that a musician must have an internal sense of what he expects to hear before playing a single note. http://youtu.be/mAsA9EZc08c Fleisher further insisted that playing by accident, or having a pile of…

Chopin Waltz in Ab Major, Op. 69 No. 1–considerations of mics, recording conditions, and tempo, with performance comparisons

First, I have to admit that my prized Yeti mic suffered yet another break-down. "Break" is to be emphasized. I tripped over the wire on the way to Haddy Haddorff, and the sensitive connector from iMac's USB port to the mic itself was altered. Yeti wouldn't register on "Preferences" as an external no matter how…