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A balanced piano lesson of Technique and Repertoire

If a student is well-prepared, having devoted quality time during the week to practicing scales, arpeggios, and pieces assigned, a lesson can contain a nice balance of ingredients. Barring holidays, long distance travel and time zone changes, most pupils will devote 15 to 20 minutes of their lesson to technique, and the remaining 40 minutes… Continue reading A balanced piano lesson of Technique and Repertoire

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Piano Instruction: The Virtues of Slow Motion Practicing and Attentive Listening

It takes patience to approach a piece well behind tempo, tuning in to every nuance and turn of phrase. With ears alert and sensitive, the player tries to create a feeling state where he's submerged in sound to the exclusion of all else. At the pinnacle of concentration, he's "in the zone," attaining Maslow's "peak… Continue reading Piano Instruction: The Virtues of Slow Motion Practicing and Attentive Listening

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Eurhythmics, A Whole Body Listening Experience (Video)

I took a Eurhythmics class at Oberlin taught by a magical, mystical, musically in touch woman named Inda Howland who was a student of Jacques Dalcroze. Barefoot, wearing a native Indian garment–embracing an exotic percussion instrument from Bali as her trademark, she entered our classroom as a spry, sagacious woman in her 60′s. As she… Continue reading Eurhythmics, A Whole Body Listening Experience (Video)