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Domenico Scarlatti and trills!

What would our precious Domenico be without his Baroque era adornments, embedded trills, heart-throbbing melodies in gypsy, folkloric framing! And who can overlook the flamenco guitar, rhythmic castanets and tambourines in full keyboard orchestration under Portuguese and Spanish royal influence. Yet the very first Scarlatti sonata given to me by my beloved NYC mentor, Lillian… Continue reading Domenico Scarlatti and trills!

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How Bach should be played is Twitter-framed!

A wellspring of inspiration poured forth in a Tweet posted by virtuoso cellist, Steven Isserlis whose vivid musical imagination fuses with his seamless technique. (We share common Oberlin Conservatory "roots" and an insatiable love for J.S.) It was no accident that while unearthing a perfect gem among a collection of Bach Little Preludes, I encountered… Continue reading How Bach should be played is Twitter-framed!

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A Domenico Scarlatti Sonata that enables Finger and Forearm Staccato

It's been decades since my beloved N.Y.C. piano teacher, Lillian Freundlich bestowed upon me the gift of Domenico Scarlatti Sonatas. And at the time, (while I was a student at the New York City H.S. of Performing Arts) I had no idea that those she had selected were permeated with the basics of technique bonded… Continue reading A Domenico Scarlatti Sonata that enables Finger and Forearm Staccato

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First Love Bach Fugue in F minor, BWV 881

What a divine pairing from J.S. Bach's Well-Tempered Clavier, Book 2! The ethereal, "sighing" Prelude is joined by a somber, though monumental Fugue in three voices. The Subject with its characteristic three-8th note repetitions followed by two-16ths, meanders in stepwise movement with small skip deviations while its borrowed melodic and rhythmic components weave through the… Continue reading First Love Bach Fugue in F minor, BWV 881

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She plays “red-blooded” harpsichord!

It's well-known to a wide audience of admirers that Elaine Comparone has a commanding presence at the harpsichord. And while she sits this one out in a bedazzling reading of Bach's D minor concerto, she's made headlines standing before her beloved as Queen of a Chamber Band that's produced reams of high quality performances. Comparone,… Continue reading She plays “red-blooded” harpsichord!

Bach Sinfornia in F minor BWV 795, Baroque music, J.S. Bach, J.S. Bach Sinfonia in F minor, Shirley Kirsten, Shirley Smith Kirsten, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, you tube.com, yout tube, youtube.com

J.S. Bach and blurred tonality (learning the three-part Invention or Sinfonia in F minor, BWV 795)

The Sinfonia in F minor is a tour de force work of art, perhaps evocative of the composer's Musical Offering in its strikingly atonal sections. Yet there are definitive cadences in Major and minor keys that occur at the terminus of tonally ambiguous tunnels. Bach wrote a preface to the two and THREE Part Inventions… Continue reading J.S. Bach and blurred tonality (learning the three-part Invention or Sinfonia in F minor, BWV 795)

Bach Prelude BWV 847 in C minor, classissima, classissima.com, harmonic rhythm and Bach Prelude BWV 847, J.S. Bach, Johann Sebastian Bach, Jorunal of a Piano Teacher from New York to California, piano, Shirley Kirsten, Shirley Smith Kirsten, word press, word press.com, you tube, you tube video, you tube.com, yout tube, youtube.com

Comparing Interpretations of Bach Prelude in C minor, BWV 847 (Well-Tempered Clavier Book 1)

Over a year ago, I posted a tutorial about the harmonic rhythm of Bach's C minor Prelude (WTC I) to help myself and others navigate strings of 16th notes with an awareness of shape, direction, and resolution. This was my springboard to learning the composition and it remains a good reference. http://youtu.be/yAa8YcW7lMI However, my you… Continue reading Comparing Interpretations of Bach Prelude in C minor, BWV 847 (Well-Tempered Clavier Book 1)