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Getting immersed in LEARNING Bach’s F minor Fugue, BWV 881 (Well-Tempered Clavier, Book 2)

My journey through the Baroque master's Fugue no. 12 has been a labor of love though the form enshrined by J.S. Bach can be intimidating by its structural nit-pickings. Wikipedia, for example, cites BWV 847 in C minor, (the Fugue) as a model of internal order, with a carefully marked out Subject;  Answer (a fifth… Continue reading Getting immersed in LEARNING Bach’s F minor Fugue, BWV 881 (Well-Tempered Clavier, Book 2)

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Stay LONGER with a piece for higher levels of learning and awareness

All too often piano students give up on a piece after so many weeks of exposure, thinking the fingering is settled, the beats are well-measured, and the notes have fallen into place. At this juncture, a Big STOP SIGN must impede the restless from plunging into a new musical journey despite their belief that the… Continue reading Stay LONGER with a piece for higher levels of learning and awareness

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Studying J.S. Bach: What many piano students overlook

In the course of learning keyboard works by J.S. Bach, many students are riveted to the top most line, often ignoring alto, tenor and bass voices. The Prelude in F minor, BWV 881, is a case in point. While sobbing thirds in the treble are attention grabbers, there's more to the composition than meets the… Continue reading Studying J.S. Bach: What many piano students overlook

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Building a piano lesson around J.S. Bach Invention 4 (d minor)

The scale of D minor (Harmonic form) feeds nicely into the study of Bach's Invention 4, BWV 775, and within this Baroque inspired universe, Alton, (Life Begins at 77) continued his musical journey. First my play through of the Two-Part Invention http://youtu.be/jZ5jbiLUhHQ A capsulized compositional analysis http://youtu.be/LTtM2DsJsk8 And a Summary of lesson goals for the… Continue reading Building a piano lesson around J.S. Bach Invention 4 (d minor)

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More trills, but bucolic and serene: Scarlatti’s d minor “pastorale” K. 9 (VIDEO)

Domenico Scarlatti Sonata K. 9 in d minor (the "pastorale") http://www.youtube.com/watch?v=8Qk88Sn9kHk The trills in K. 9 are far different than those permeating Scarlatti's sonata K. 159 in C Major. The latter has a robust horn call opening with a lavish assortment of ornaments. The bright sounding Major tonality creates a dazzling brilliance: http://www.youtube.com/watch?v=1zUmr0vl_-c By contrast… Continue reading More trills, but bucolic and serene: Scarlatti’s d minor “pastorale” K. 9 (VIDEO)

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Domenico Scarlatti Sonata (Toccata) in D minor, K. 141 with reams of repeated notes (VIDEO)

http://www.youtube.com/watch?v=LQiaWoJaUfQ Domenico Scarlatti never fails to come up with a flashy pyrotechnical escapade that can make or break a player in progress. I know, because I've walked the plank with this piece until I was able to reverse my fortune and run with it happily into the horizon. Any number of times those repeated notes,… Continue reading Domenico Scarlatti Sonata (Toccata) in D minor, K. 141 with reams of repeated notes (VIDEO)

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Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds

http://www.youtube.com/watch?v=Yh09WH_g7wo I can always use an extra pair of hands to navigate the Baroque composer's technically challenging sonata It's a real workout playing Domenico Scarlatti's essercizi or sonatas. The impossible leaps, crossed hands, trills and syncopation that permeate the composer's music require a daredevil to take on the challenge. Scarlatti will sometimes defy a player… Continue reading Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds