Turning back the clock to my early years as a piano student, I regarded ANDANTE as the slowest tempo marking in the musical universe. So did all my friends who foot dragged their pedal and stumbled through the doldrums of any piece that had the "A" for power down the pace and lower volume while… Continue reading Piano Study: Tempo shifts from Childhood to Adulthood
Searching for the right match-up.....
My Casio PX 110 sits on the second floor of my townhouse because there's no room for it anywhere else. Haddy Haddorff stole the space that Cassy formerly inhabited. In truth, the digital is not on the high priority activity list of instruments here but it has a role in technique-based toning and conditioning In… Continue reading Practicing on a Digital Piano (Video) PROS and CONS
I love to scan the Boards at Piano World, UK Forums, Piano Street, Piano Addict, and other stop-off points such as My Music Life Blogspot and Color in my Piano to get a feel for the concerns of piano students at all levels of study. This form of feedback that flows in and out of… Continue reading The Piano Universe of Discussion Boards, Digital Feedback, and Self-analysis (Video)
Why not give composing a try? I did. For the most part, you don't need a degree in composition, but a Theory background helps things along with voice leading in the bass part and understanding the rules of notation. Above all, intuition and inspiration are the main ingredients in any creative undertaking. In 1985 I… Continue reading The Piano Teacher as Composer: Using my MOONBEAMS collection as an example (Video)
Music Theory doesn't have to be drudgery If I turn the clock back to my early days as a piano student, I can say without a doubt that I absolutely HATED “Music Theory” or anything remotely related to it. And I can clearly thank my very pedantic teacher, Mrs. Schwed for this aversion. She made… Continue reading Music Theory and Piano Study: It doesn’t have to be drudgery
http://www.youtube.com/watch?v=jGJ_4CS_c4M Beethoven didn't attach "Moonlight" to this first movement of his very popular C# minor Sonata. (Music critics often invented these tags that stuck over centuries) The composer, himself, said his opening was like a fantasy, "quasi una fantasia," and he took particular care to compose his Adagio Sustenuto movement in alla breve, which meant… Continue reading Piano Instruction: Teaching Beethoven’s “Moonlight” Sonata, Movement 1 (VIDEO)