Every so often, I find myself at the local piano outlet, tinkering with the latest digitals on and off the shelf. (portables and consoles) And as the weekend rolled in, I was invited to DC Piano by a new student who'd purchased a Kawai CA 58 console electronic without my input. No doubt, my prodding… Continue reading A week of digital and acoustic pianos!
With our ultra exposure to You Tube, MP4s, CDs, etc. we often forget what it's like to experience a LIVE performer inhabiting an acoustical paradise such as Davies Hall, San Francisco. In a give and take between pianist and audience, a swell of dynamics and limpidly melting cadences elicit an intimate exchange of emotions that's… Continue reading A memorable Evgeny Kissin Piano Recital!
This week's post is, in part, a response to a Word Press inquiry about how to approach trills in Mozart's Sonata in F, K. 332. (Allegro) The measures under examination are those that lead toward the Development section with a modulation to the Dominant key of C Major. These same configured trills return at the… Continue reading Trills, Trills, Trills and how to practice them!
A wellspring of inspiration poured forth in a Tweet posted by virtuoso cellist, Steven Isserlis whose vivid musical imagination fuses with his seamless technique. (We share common Oberlin Conservatory "roots" and an insatiable love for J.S.) It was no accident that while unearthing a perfect gem among a collection of Bach Little Preludes, I encountered… Continue reading How Bach should be played is Twitter-framed!
I often enjoy a splurge of self-produced technique videos to assist my teaching, and to clarify my latest insights. This week I examined Staccato playing, using weight transfer for dynamic variation, as I employed a legato "floating arm" as a model for snipping out a stream of well-connected, scale-wise detached notes. In this undertaking, I'd… Continue reading Piano Technique Tutorials abound this week!
I was inspired by the sagacious words of Peter Takacs, Oberlin Conservatory piano faculty member, in response to a query by Zsolt Bognar. (Living the Classical Life interview) Zsolt: "Should a pianist teach?" (I was a bit surprised by a question that sowed doubt about the endeavor of mentoring--as if it proliferated the weak cliche… Continue reading What you Learn by Teaching Piano
There were a pile-up of competing events to fill a blog feature, but only one stole the show: Amidst a sweltering East Coast heat wave, harpsichordist friend, Elaine Comparone, messaged a BBC link to an astounding display of age-defying virtuosity. At her home in Paris, 103-year old, French pianist, "Colette," played mellifluous Debussy, "moving" gracefully… Continue reading This week’s ear-catcher: “Stay Loose and Keep Moving!”