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Piano Instruction: Don’t always accentuate the downbeat– Burgmuller’s music proves it (Video)

http://youtu.be/MgwB3JESuG0 "Inquietude" from Burgmuller's Op. 100 collection of Twenty-Five Progressive pieces, invites a player to examine harmonic progressions as a clue to phrasing a composition that's often pounded to death with unnecessary DOWNBEAT accents. Seymour Bernstein, distinguished pianist, teacher and author, noted in a recent conversation we shared in New York City, that our musical… Continue reading Piano Instruction: Don’t always accentuate the downbeat– Burgmuller’s music proves it (Video)

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Piano Instruction: “Ballade” by Burgmuller– phrase contouring and curves of energy (Videos)

Burgmuller's Ballade from his Opus 100 Progressive Piano Pieces is often coined "spooks" because of its Halloween-like opener. Composed in 3/8 time, it moves along in ONE, though the performer should not over-emphasize the first beat in each measure. The way the composer slurs and phrases notes suggests another approach. Thinking LONGER lines and phrases… Continue reading Piano Instruction: “Ballade” by Burgmuller– phrase contouring and curves of energy (Videos)

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Piano Technique: chord playing with a supple wrist and natural, infused long breaths (Burgmuller’s “Ave Maria” as example)

Ilyana, 9, explored the supple wrist entry into chords at Forte (Big) and piano (soft) dynamic levels as the warm-up segment of her lesson. In addition she did some breathing exercises to give life and lift to her sonorities. http://www.youtube.com/watch?v=qvF1aAsSI_w More about chord playing and the singing tone: http://www.youtube.com/watch?v=hAo0580F-wU Playing through Burgmuller's "Ave Maria" (from… Continue reading Piano Technique: chord playing with a supple wrist and natural, infused long breaths (Burgmuller’s “Ave Maria” as example)