Coming back to a composition that has personal practicing phases, combined with teaching experiences assists in choosing sequences of pieces for students. In the cosmos of Chopin Waltzes, I discern a consecutive study relationship between the A minor Waltz, No. 19, Op. Posthumous and the B minor Waltz, Op. 69, no. 2. The B minor… Continue reading Picking a second Chopin Waltz for an Intermediate level student
I'm often asked to name my favorite composer, and nearly always, it's the one whose music I'm currently studying and teaching. In this case, Chopin's posthumous Waltz in A minor, discovered by musicologists in the 1950s, is the CHOSEN. http://youtu.be/0fyaPEjVIl0 Not cluttered with reams of intricate runs and fancy ornaments, it's a good first Waltz… Continue reading Dedicating my birthday to Chopin!
The harmonic flow of a piece is one ingredient of phrase shaping, along with melodic contouring that springs from the human voice and its natural breath. All have emotional consequence as music pours out of the heart and soul of a performer. So getting below the surface of a piece of music, means delving into… Continue reading Harmonic Rhythm, melodic twists, and emotional shifts in Chopin’s B Minor Waltz, Op. 69, No. 2 (Video)
Last night I sat myself down at my imperfectly regulated Steinway M grand and managed to sigh several times through torrents of phrases crafted by design and inspiration to tug at the heartstrings. And in the video below, I journeyed in baby steps through this intensely emotional landscape pinpointing how I could flesh out the… Continue reading Playing through Chopin’s B minor Waltz with its sighing motif (Video commentary)
I returned to the iMac21 for this videotaping in the company of my nifty Yeti mic. (I'm waiting for Y to speak in Star Wars lingo, or double as a cleaning robot) Everything was definitely effortless this time because I opted NOT to edit. I just let the lesson segment run its course without fussing… Continue reading Claudia’s piano lesson in progress: Preparing the Chopin A minor Waltz no. 19, Op. posthumous and Beethoven’s “Fur Elise” for the MTAC Fall Festival
I demonstrate a swing or roll of the arms to realize the circular flow of the piu mosso section of Chopin's Waltz in C# minor, Op. 64, no 2. At the end, I add slow motion frames. Needless to say a state of relaxation is desirable to achieve Oneness with the piano. Mindful practicing and… Continue reading Rolling arm movements and videotaped slow motion replay of Chopin’s Waltz in C# minor, piu mosso section
I finally sat down at "Haddy" (my Haddorff piano that sings like a nightingale) and spun out a few ideas about the Waltz in C# minor. A slow motion journey through the composition underscored the suspensions and harmonic rhythm on the first page, then moved on to the piu mosso, 8ths with their rounded contour,… Continue reading At the piano: Exploring the Chopin Waltz in C# minor, Op. 64 No. 2 (Video)