Tag: Classical sonata

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Applying technical skills to sensitive music learning, and reading between the lines

arioso7: Shirley Kirsten

Just when I thought my wellspring of blog inspired ideas had endured a drought, I had a nagging thirst to explore how technical tools (playing scales, arpeggios, chords, octaves, etc) are woven into music study. Allied to this undertaking, was the idea of inferences and how we make certain decisions about phrasing, articulation, etc. based… Continue reading Applying technical skills to sensitive music learning, and reading between the lines

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Mozart Rondo: Allegretto K. 545, Performance and Analysis

arioso7: Shirley Kirsten

Performance: http://youtu.be/Meb-yhioUIo Analysis: http://www.youtube.com/watch?v=Q6oSo-WC9OM&feature=related The Rondo, more often than not, is the form used in the last movement of a Classical era Sonata. (The Classical period roughly encompasses the years between 1750 and 1830) The Rondo is usually a brisk, lively and energetic movement that brings a sonata to a definitive conclusion. It is in… Continue reading Mozart Rondo: Allegretto K. 545, Performance and Analysis

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Piano Instruction: Second Movement, Mozart Sonata in C Major, K. 545 (Video)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=B0i-2t9-4yI In this middle movement of Sonata, K. 545, Mozart emulates the opera with a spun out cantabile (singing tone) melody against a rolling, rippling broken chord bass line.  The tempo, Andante, should not be played too slowly because "Andare" in Italian means to "walk," which suggests a certain internal motion. Slower tempo designations in… Continue reading Piano Instruction: Second Movement, Mozart Sonata in C Major, K. 545 (Video)