Tag Archives: Claudio Arrau

Piano Technique: Shaking out Bach Ornaments! and the influence of Claudio Arrau

When working on executing ornaments with an adult student as they appear in J.S. Bach’s Prelude in F minor, I thought instantly of Claudio Arrau’s allusions to “shaking” these out, without having a thread of tension in the arms, wrists, … Continue reading

Posted in Claudio Arrau, J.S. Bach, Johann Sebastian Bach, piano technique | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 7 Comments

Comparing performances of Mozart Sonata in C, K. 545, Movement 1, Allegro (Tempo, alone can make a big difference)

Over time, when we return to a piece that is well-learned, and in some cases has become a bit too predictable without a touch of inspiration, a revitalized, updated version might be worth a try. In this regard, I’m always … Continue reading

Posted in Christoph Eschenbach, Classical era piano music, classissima, classissima.com, Claudio Arrau, comparing performances of Mozart Sonata in C K. 545, interpretation of Mozart Sonata in C K. 545, Journal of a Piano Teacher from New York to California, Mozart, Mozart Sonata in C K. 545 first movement, pianist, piano, playing piano, Shirley Kirsten, Shirley Smith Kirsten, Uchida pianist, Wolfgang Amadeus Mozart | Tagged , , , , , , , , , , , , , , , , , , , | 2 Comments

My neighborhood piano teacher will return to Fresno to give a benefit concert! (Video)

It’s been well over 20 years since I sauntered just a few blocks over to West San Madele, a quaint street with manicured lawns and California ranch-style homes. But one particular residence, with an adobe brick exterior, stood out because … Continue reading

Posted in Claudia Arrau, Ena Bronstein, Ena Bronstein Barton, Fresno California, Journal of a Piano Teacher from New York to California, Rafael de Silva, Rider University, Schumann Carnaval op. 9, Shirley Kirsten, Shirley Smith Kirsten, Westminster Conservatory of Music in Princeton New Jersey, word press, word press.com, wordpress, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , | Leave a comment

The Piano Repertoire: Does making fingering/hand adjustments constitute a “swindle?”

Seymour Bernstein, author of With Your Own Two Hands, remarked that “Chopin wrote out an outline for an intended method of teaching piano. And when he died he left it to Charles Alkan who never finished it. Wouldn’t you think … Continue reading

Posted in Beethoven Sonata Appassionata, Charles Alkan, Chopin, Conversations with Arrau by Joseph Horowitz, Conversations with Arrau by Joseph Horwitz, Faschingsschwank aus Wien by Schumann, fingering and phrasing at the piano, fingering and piano technique, Frederic Chopin, Gershwin Prelude no. 2, Gershwin Prelude no. 2 and fingering changes, Intermezzo Faschingsschwank aus Wien by Schumann, Philip Lorenz, pianist, pianists, piano, piano technique, player piano, Seymour Bernstein, Seymour Bernstein author With Your Own Two Hands, Seymour Bernstein composer, Seymour Bernstein pianist, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, swindle, word press, wordpress.com, you tube, you tube video | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment