Here's the link rather than copy/paste. The article is ONLINE! The you tubes are nicely embedded within the writing. http://www.mtac.org/cmt/CMT2012FallTalesMusicalJourney.pdf Now the icing on the cake: Irina needs to make the rounds to branches around the State to sell her stuff and give "live" presentations. Keep the phone lines open!
I will have one less piano in about two weeks. "Haddy" Haddorff, the singing nightingale will nest in a new place starting September 16th. Not to worry, she's on temporary loan to a local piano teacher who will keep her in tune, and vocalizing regularly. I'm Berkeley bound and my new apartment can only accommodate… Continue reading The empty nest: “Haddy” will sing in another home
This tutorial references measure 55 to 93. The composer settles into A minor through these measures and reinforces the A minor tonic to Neapolitan progression. (A minor to Bb Major chord) He elaborates, varies, and introduces a beautiful contrapuntal interplay of voices between treble and bass in measures 69-87. (All in A minor) With a… Continue reading Piano Instruction, Part FOUR, Beethoven’s “Tempest” Sonata in D minor, Op. 31, No. 2 (measures 55-93)
Chopin's Bb minor Nocturne (Night Piece) requires a player to use a full arm rotation to fluidly play the arpeggios in the left hand that span over an octave. These broken chords which fill a large space by their expansion, create a Romantic underpinning for the molto cantabile heart-rending melody in the treble. If the… Continue reading The Chopin Bb minor Nocturne, Op. 9, No. 1, and arm/hand rotation/phrasing (Video)