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Practicing Contrary Motion Scales (Video tutorial)

I often use scales played in opposite directions to reinforce posture and the body's ability to lean in either direction toward the highest or lowest octave without bench wandering, or dizzying head movements. Since the third octave in these excursions is not within eye range, the advantage of a pull toward the keyboard, (even without… Continue reading Practicing Contrary Motion Scales (Video tutorial)

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Piano Technique: Stabilizing tempo, presence of mind, and breathing through scales and arpeggios

This has to be one of my favorite reciprocal teaching/learning videos because it fleshes out the importance of breathing through scales with mindful concentration. Framed by a singing pulse, the scale becomes a model for all playing. Here's B minor in Contrary Motion (legato) with my annotations that reference the BREATH and mindfulness. https://youtu.be/kVmCWbA32bg Important… Continue reading Piano Technique: Stabilizing tempo, presence of mind, and breathing through scales and arpeggios

Journal of a Piano Teacher from New York to California

Piano Technique: Contrary motion scales without side-to-side head tracking

Most piano students insist on playing contrary motion scales like they're watching a tennis match: heads rolling to either side of the net with well orchestrated rows of synched sports aficionados. When applied to the piano, however, this capo paced hyperactivity will most likely impede fluidity and encourage note errors. One of my adult students,… Continue reading Piano Technique: Contrary motion scales without side-to-side head tracking