piano

How Bach should be played is Twitter-framed!

A wellspring of inspiration poured forth in a Tweet posted by virtuoso cellist, Steven Isserlis whose vivid musical imagination fuses with his seamless technique. (We share common Oberlin Conservatory "roots" and an insatiable love for J.S.) It was no accident that while unearthing a perfect gem among a collection of Bach Little Preludes, I encountered… Continue reading How Bach should be played is Twitter-framed!

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Teaching J.S. Bach

As mentors immersed in a two-way sharing process with students, we're grateful for opportunities to delve deeply into the masterworks. One companion traveler of mine dotes exclusively on the music of J.S. Bach, preferring this singular journey to any other. And without doubt, I can sympathize with his emphasis because the Baroque Master's body of… Continue reading Teaching J.S. Bach

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A favorite J.S. Bach tutorial (Little Prelude in F, BWV 927)

One of my adult students is excited about learning this treasured miniature, and it just so happened that I stumbled upon one of my you tube posted instructions that will assist both of us in our forthcoming two-way musical exchange. (After I put a piece away it's nice to know I can reference its timely… Continue reading A favorite J.S. Bach tutorial (Little Prelude in F, BWV 927)

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An in depth “Over”-view of J.S. Bach Little Prelude in C Minor, BWV 934

This evening I prepared a video supplement for an adult student who brought the gorgeously woven Little Prelude in C minor (BWV 934) to his first lesson. Since I had studied this work at the suggestion of another student, from faraway Greece, I had laid a firm foundation in my own layer by layer learning… Continue reading An in depth “Over”-view of J.S. Bach Little Prelude in C Minor, BWV 934

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Learning a J.S. Bach Invention requires an understanding of right-side-up, upside down, inside out, and other relationships

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Piano Instruction: J.S. Bach Invention no. 8 in F, BWV 779, using a spring forward wrist and hand rotation, Two Videos

I introduced my tutorial by playing a snatch from Edna-Mae Burnam's Dozen a Day, Book 1, no. 3 "Hopping." It was the springboard for the wrist motion I use when playing Invention 8 in F Major. I also enlist a hand rotation for a stream of 16ths in descending sequence, measures 4-6, and wherever else… Continue reading Piano Instruction: J.S. Bach Invention no. 8 in F, BWV 779, using a spring forward wrist and hand rotation, Two Videos

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Revisiting J.S. Bach’s Invention 1 in C, BWV 772 (Video)

Yesterday I had the novel experience of working on Bach's Invention 1 in C Major, via long distance transmission. Beamed to Sydney, Australia, by way of SKYPE, I found myself having gained new insights about a piece I had temporarily tabled. While I had always been aware that the Subject, or main idea, had been… Continue reading Revisiting J.S. Bach’s Invention 1 in C, BWV 772 (Video)

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Playing through the entire Bach Fugue, BWV847 in C minor, fleshing out form as I go along (VIDEO)

The score is copied below the video: http://www.youtube.com/watch?v=Be4YQ29gb1g http://www.teoria.com/articulos/analysis/BWV847/index.htm RELATED: Analysis of Fugue in C minor, BWV847: Subject, Counter-subject I and II, Exposition, Episodes (Development) Recap subject, etc. https://arioso7.wordpress.com/2011/07/04/piano-instruction-analysis-j-s-bach-fugue-in-c-minor-bwv847-videos/

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Domenico Scarlatti Sonata (Toccata) in D minor, K. 141 with reams of repeated notes (VIDEO)

http://www.youtube.com/watch?v=LQiaWoJaUfQ Domenico Scarlatti never fails to come up with a flashy pyrotechnical escapade that can make or break a player in progress. I know, because I've walked the plank with this piece until I was able to reverse my fortune and run with it happily into the horizon. Any number of times those repeated notes,… Continue reading Domenico Scarlatti Sonata (Toccata) in D minor, K. 141 with reams of repeated notes (VIDEO)

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Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds

http://www.youtube.com/watch?v=Yh09WH_g7wo I can always use an extra pair of hands to navigate the Baroque composer's technically challenging sonata It's a real workout playing Domenico Scarlatti's essercizi or sonatas. The impossible leaps, crossed hands, trills and syncopation that permeate the composer's music require a daredevil to take on the challenge. Scarlatti will sometimes defy a player… Continue reading Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds