Most musicians fully appreciate the extra-musical "programmatic" content in works by Romantic era composers. Robert Schumann, for example, captures children playing tag by throwing "got you" accents on the downbeats of measures framed in sprightly staccato. (short, detached articulations) The aforementioned is well-illustrated in Schumann's colorful tableau, "Hasche-Mann"-"Blindman's Bluff" from Kinderszenen: (The vocabulary of art… Continue reading The Art and Music synthesis: Does it exist?
In my tepid re-entry into the universe of piano repertoire for two hands, I chose what would be the antithesis of a comfort zone in my injury recovery phase. But just the same, my brain needed stimulation, building neurotransmitters, as it signaled the hands and fingers to regroup in a gradual healing process. Without doubt,… Continue reading A Bach Fugue is a neuron booster and soul searcher
Elaine Comparone insists that playing Haydn's works on the harpsichord stirs her "imagination to new heights." The harpsichordist's upload of Haydn's eloquent Sonata No. 52 in Eb Major ironically paralleled Reed Tetzloff's piano performance in Moscow which introduces an aesthetic comparison or two. Reed's You Tube channel features the opening Allegro movement, https://youtu.be/q6l2qguKhik while his… Continue reading Haydn on the harpsichord or piano? (Competition interlude)
Elaine Comparone, a well-regarded harpsichordist rendered a dance movement from J.S. Bach's French Suite No. 5 in G, (BWV 816) that I'd performed on the pianoforte. In the Loure, (written in G Major) I was immediately struck by a pitch disparity between our respective instruments. While Loure was composed in the key of G Major,… Continue reading J.S. Bach, the piano, harpsichord and early music tunings
One of the delights of my trip back to hometown New York City, was an encore visit with Elaine Comparone!
First day in the Big Apple: These are popular picture postcard themes yet worth memorializing. I took this photo set as I trekked from 34th Street and Penn station to the West Side 'Y' gym at 63rd off Central Park. Bogged down with luggage, I approached Columbus Circle at W. 59th Street (off Central Park)… Continue reading Scenes from Manhattan
One of my colleagues who filmed a tutorial on this gem, called it a "BEGINNER" composition, yet, in truth, it's not in the easy column. It demands a fluent technique and a thoughtful approach to learning that includes harmonic analysis, blocking, understanding counterpoint, making sensible decisions about articulation, and shaping phrases. Therefore, this "LITTLE" Prelude… Continue reading Piano Instruction: Piecing out and Practicing J.S. Bach Little Prelude in F, BWV 927
Enough blabber, Bach says it best. What a wondrous ongoing musical journey with so many kind and attentive readers. Thanks for all your support, comments and feedback. Onward! SK (Arioso7) http://youtu.be/yte9ugmpXyk http://youtu.be/UIOewMxAUZQ http://youtu.be/k1g1tr2a-WA http://youtu.be/TGE6MriJZ-Y http://youtu.be/jR2Frx5GKss
It's well-known to a wide audience of admirers that Elaine Comparone has a commanding presence at the harpsichord. And while she sits this one out in a bedazzling reading of Bach's D minor concerto, she's made headlines standing before her beloved as Queen of a Chamber Band that's produced reams of high quality performances. Comparone,… Continue reading She plays “red-blooded” harpsichord!
Dr-Lubov Laura De Valois "My studio has 4 pianos: Two acoustic grand pianos: “Yamaha C” and “Hamburg Steinway and Son”, (built around 1880), and restored in New York by Steinway. I also have an electric Kawai, "Concert Performer" CP 175, that I use as the recording studio; and a Yamaha Clavinova CVP-109 for my students… Continue reading Pretty piano rooms