art and music, Christopher Rothko, Mark Rothko

The Art and Music synthesis: Does it exist?

Most musicians fully appreciate the extra-musical "programmatic" content in works by Romantic era composers. Robert Schumann, for example, captures children playing tag by throwing "got you" accents on the downbeats of measures framed in sprightly staccato. (short, detached articulations) The aforementioned is well-illustrated in Schumann's colorful tableau, "Hasche-Mann"-"Blindman's Bluff" from Kinderszenen: (The vocabulary of art… Continue reading The Art and Music synthesis: Does it exist?

fugue form, Fugue Structure, J.S. Bach

A Bach Fugue is a neuron booster and soul searcher

In my tepid re-entry into the universe of piano repertoire for two hands, I chose what would be the antithesis of a comfort zone in my injury recovery phase. But just the same, my brain needed stimulation, building neurotransmitters, as it signaled the hands and fingers to regroup in a gradual healing process. Without doubt,… Continue reading A Bach Fugue is a neuron booster and soul searcher

blogmetrics, blogmetrics.org, classissima, classissima.org, Franz Josef Haydn, harpsichord, Haydn, Haydn Sonatas, Journal of a Piano Teacher from New York to California, pianist, piano, piano blog, piano blogging, Shirley Kirsten, Shirley Smith Kirsten

Haydn on the harpsichord or piano? (Competition interlude)

Elaine Comparone insists that playing Haydn's works on the harpsichord stirs her "imagination to new heights." The harpsichordist's upload of Haydn's eloquent Sonata No. 52 in Eb Major ironically paralleled Reed Tetzloff's piano performance in Moscow which introduces an aesthetic comparison or two. Reed's You Tube channel features the opening Allegro movement, https://youtu.be/q6l2qguKhik while his… Continue reading Haydn on the harpsichord or piano? (Competition interlude)

Baroque era, Baroque era tunings, classissima, classissima.com, Daniel Waitzman, Elaine Comparone, flute, harpsichord, piano blog, piano blogging

J.S. Bach, the piano, harpsichord and early music tunings

Elaine Comparone, a well-regarded harpsichordist rendered a dance movement from J.S. Bach's French Suite No. 5 in G, (BWV 816) that I'd performed on the pianoforte. In the Loure, (written in G Major) I was immediately struck by a pitch disparity between our respective instruments. While Loure was composed in the key of G Major,… Continue reading J.S. Bach, the piano, harpsichord and early music tunings

Elaine Comparone, J.S. Bach, Ornaments in the Baroque, piano, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, word press, wordpress.com, you tube, you tube video, youtube.com

Baroque Ornaments, execution, style, context and taste: A Conversation with Elaine Comparone

One of the delights of my trip back to hometown New York City, was an encore visit with Elaine Comparone!

NYC, Shirley Kirsten blog, Shirley Kisten, Shirley Smith Kirsten, shirley smith kirsten blog, Shirley Smth Kirsten, Sohmer upright, Sohmer upright piano, word press.com, wordpresss.com, youtube, youtube.com

Scenes from Manhattan

First day in the Big Apple: These are popular picture postcard themes yet worth memorializing. I took this photo set as I trekked from 34th Street and Penn station to the West Side 'Y' gym at 63rd off Central Park. Bogged down with luggage, I approached Columbus Circle at W. 59th Street (off Central Park)… Continue reading Scenes from Manhattan

classissima.com, Elaine Comparone, youtube.com

Piano Instruction: Piecing out and Practicing J.S. Bach Little Prelude in F, BWV 927

One of my colleagues who filmed a tutorial on this gem, called it a "BEGINNER" composition, yet, in truth, it's not in the easy column. It demands a fluent technique and a thoughtful approach to learning that includes harmonic analysis, blocking, understanding counterpoint, making sensible decisions about articulation, and shaping phrases. Therefore, this "LITTLE" Prelude… Continue reading Piano Instruction: Piecing out and Practicing J.S. Bach Little Prelude in F, BWV 927