Expressing Mozart's piano music beautifully is a composite of many ingredients that include vocal modeling; an understanding of form/structure and harmonic elements; sound imaging, and in the cosmos of the imagination, exploring how to produce what we want to hear. In our ongoing phase of "experimentation," we delve through a terrain of unclarity, seeking ways… Continue reading Playing Mozart: Phrasing and Nuance
Tag: Exposition
Thoughts on learning Mozart Sonata No. 12 in F, K. 332 (first movement)
After my review of Wolfgang Amadeus Mozart's "Drawing Room" Sonata K. 545 in C, Allegro, I discovered by comparison that the opening movement of K. 332 in F Major, had a more complex mosaic. In the short space of its nearly three page exposition, K. 332's multiple themes weave through markedly contrasting sections. *A Sturm… Continue reading Thoughts on learning Mozart Sonata No. 12 in F, K. 332 (first movement)
Adult Piano Instruction: Exploring weight transfer and supple wrist motions for improved phrase shaping
A new adult student is working on Beethoven's Sonatina in F, one of the composer's less played works, but nevertheless quite a musical gem. While the composition has a Mozartean flavor, the abrupt shift in dynamics in the opening theme, for example, offers a glimpse into Beethoven's later development of his larger Sonata form, where… Continue reading Adult Piano Instruction: Exploring weight transfer and supple wrist motions for improved phrase shaping
Keeping up with a fast turnover of repertoire and reclaiming an old piece from the Classical era (Videos)
I always make it a point to advise students of all levels, to stay with a piece long enough to feel at one with it--to experience a fluidity of motion that comes from baby-step, layered learning. Despite my admonitions, some pupils choose to remain in the fast lane, whizzing through one selection after another without… Continue reading Keeping up with a fast turnover of repertoire and reclaiming an old piece from the Classical era (Videos)