Tag: fugue form

Fugue, Fugue Analysis, J.S. Bach, Johann Sebastian Bach, piano

Putting Slow Practicing to good use in a J.S. Bach Fugue Analysis

arioso7: Shirley Kirsten

I've been my own mentor to the exponential these past intensified 48 hours as I immersed myself in a slow, deep-layered analysis of J.S.Bach's Fugue in Ab, BWV 862 (Well-Tempered Clavier Book 1) The detailed exploration not only heightened my understanding of this ingenious composition, but it increased my love and reverence for it. So… Continue reading Putting Slow Practicing to good use in a J.S. Bach Fugue Analysis

fugue form, Fugue Structure, J.S. Bach

A Bach Fugue is a neuron booster and soul searcher

arioso7: Shirley Kirsten

In my tepid re-entry into the universe of piano repertoire for two hands, I chose what would be the antithesis of a comfort zone in my injury recovery phase. But just the same, my brain needed stimulation, building neurotransmitters, as it signaled the hands and fingers to regroup in a gradual healing process. Without doubt,… Continue reading A Bach Fugue is a neuron booster and soul searcher

Classical music piano blog, Fugue, Fugue in F minor, J.S. Bach, Johann Sebastian Bach, piano, Well Tempered Clavier

First Love Bach Fugue in F minor, BWV 881

arioso7: Shirley Kirsten

What a divine pairing from J.S. Bach's Well-Tempered Clavier, Book 2! The ethereal, "sighing" Prelude is joined by a somber, though monumental Fugue in three voices. The Subject with its characteristic three-8th note repetitions followed by two-16ths, meanders in stepwise movement with small skip deviations while its borrowed melodic and rhythmic components weave through the… Continue reading First Love Bach Fugue in F minor, BWV 881

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Piano Lesson in progress: Fugue in C Minor, BWV 847 (Video)

arioso7: Shirley Kirsten

Claudia S., age 11, identified and practiced the Subject, Tonal Answer, and Counter-subject 1 and 2 of the Fugue BWV 847. She learned how to make a difference between portato and staccato as she examined form, structure, and phrasing. http://www.youtube.com/watch?v=zvXZKI6HLIY

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Bach to basics, Bach to nature, and Bach forever! (Videos)

arioso7: Shirley Kirsten

When it comes right down to it, I'm always drawn back to Bach for solace, counsel, wisdom, insight, and more. He was the Father of our Western music in all its infinite forms. In the composer's ingenious 2 volume, Well-Tempered Clavier, Bach explored all keys around the Circle of Fifths in impeccable counterpoint. It's the… Continue reading Bach to basics, Bach to nature, and Bach forever! (Videos)

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Playing through the entire Bach Fugue, BWV847 in C minor, fleshing out form as I go along (VIDEO)

arioso7: Shirley Kirsten

The score is copied below the video: http://www.youtube.com/watch?v=Be4YQ29gb1g http://www.teoria.com/articulos/analysis/BWV847/index.htm RELATED: Analysis of Fugue in C minor, BWV847: Subject, Counter-subject I and II, Exposition, Episodes (Development) Recap subject, etc. https://arioso7.wordpress.com/2011/07/04/piano-instruction-analysis-j-s-bach-fugue-in-c-minor-bwv847-videos/

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Piano Instruction: Analysis J.S. Bach Fugue in C minor, BWV847 (Videos)

arioso7: Shirley Kirsten

http://youtu.be/ii0KsFQjGNA This first video represents Part One of my Discussion and Analysis of the Fugue, BWV 847, inclusive of the Exposition. (I use the Palmer edition) In the course of a fugue, the SUBJECT should always be fleshed out in whatever voice it appears, but an awareness of counter-subject one, counter-subject 2 and motivic, imitative… Continue reading Piano Instruction: Analysis J.S. Bach Fugue in C minor, BWV847 (Videos)