Tag: Fur Elise by Beethoven

4000 Miles by Amy Herzog, After the Revolution by Amy Herzog, Amy Herzog, Beethoven, Fur Elise by Beethoven, Joe Josephs, Journal of a Piano Teacher from New York to California, Leepee Joseph, Lincoln Center, Mitzi E. Newhouse Theater, New York, New York City, Paul Robeson, Pete Seeger, Shirley Kirsten, Shirley Smith Kirsten, The Weavers, Uncategorized, West Village of New York

After the Revolution is my cousin, Amy Herzog’s tour de force play. (An Aurora Theatre Berkeley production)

arioso7: Shirley Kirsten

Amy Herzog is regaled as one of the most gifted young playwrights of her generation. Not only has she been a recipient of the well-regarded Lillian Hellman prize, but she's amassed a slew of New York Times rave reviews. Charles Isherwood, Arts editor, lauded After the Revolution in a generous media spread that wove in… Continue reading After the Revolution is my cousin, Amy Herzog’s tour de force play. (An Aurora Theatre Berkeley production)

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Showcasing two of my exquisite instruments (Violin and Piano)

arioso7: Shirley Kirsten

First the violin, a 1799 Horenstainer, Mittenwald that replaced the "cigar box" I was handed as a kid. My precious teacher, Samuel Gardner selected this German original for me in Paris, France. From there, I took it to Merrywood music camp in Lenox, MA where I coached under Eugene Lehner of the Boston Symphony. Oberlin… Continue reading Showcasing two of my exquisite instruments (Violin and Piano)

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How I deal with my performance anxiety? (Video)

arioso7: Shirley Kirsten

I prepared a video as a meditation, or spiritual assist for tonight. I'm playing at my house of religious worship. It's an open MIC event, and I thought it would be a relaxing opportunity for SHARING. Underline that last word and think about tossing PERFORMANCE out of your vocabulary. Key words-- getting inside the music--GIVING… Continue reading How I deal with my performance anxiety? (Video)

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My childhood “Fur Elise,” past teachers, yearbook entries, and present mentoring (Video)

arioso7: Shirley Kirsten

I named one of my daughters, "Elise," in honor of Beethoven's famous composition. That's how much I adored the music. A companion piece since childhood, I managed to squeak through the notes at age 8 when enrolled at a quaint music school off Kingsbridge Road in the Bronx. Private lessons followed my two years of… Continue reading My childhood “Fur Elise,” past teachers, yearbook entries, and present mentoring (Video)

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Piano Instruction: Practicing the “windy” chromatic scale of Beethoven’s “Fur Elise”

arioso7: Shirley Kirsten

After a stream of graceful arpeggiated triplets, a "windy" sounding, descending chromatic scale leads artfully back to the opening theme that concludes "Fur Elise." The traditional chromatic fingering I've inserted in the score corresponds to the 1/2-step sequence beginning on Bb: Black/white, Black/white Black/White/White etc. 3, 1, 3, 1, 3, 2, 1 etc. Video Instruction… Continue reading Piano Instruction: Practicing the “windy” chromatic scale of Beethoven’s “Fur Elise”

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Quality spot-practicing by an adult student: Beethoven’s “Fur Elise” (Video)

arioso7: Shirley Kirsten

Marie, a motivated adult student, revisited piano studies after a decades-long hiatus. When she resumed lessons about 6 years ago, she made "Fur Elise" her goal-setting piece. Following long-term scale and arpeggio exposure accompanied by a detailed focus on minuets, short character works, sonatinas and the Chopin Waltz in A minor No. 19, Op. Posthumous,… Continue reading Quality spot-practicing by an adult student: Beethoven’s “Fur Elise” (Video)

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The Art of Piano Pedaling: Filming Fur Elise down below (Videos)

arioso7: Shirley Kirsten

I decided to take a nose dive with my iMac desk top and place it way down by my feet because today an adult student continued her IN DEPTH study of legato pedaling. She was specifically practicing the C section of Beethoven's "Fur Elise," that I coin, the "stormy" part. (It has the tremolo, and… Continue reading The Art of Piano Pedaling: Filming Fur Elise down below (Videos)

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When the piano teacher is absent between lessons, a You Tube video can fill in the gap (Fur Elise and chord voicing)

arioso7: Shirley Kirsten

Lately, students have benefited from receiving supplemental video instruction during the interval between their weekly lessons. By videotaping parts of their sessions and uploading to You Tube, they can often make their daily practice time more efficient. Today, for example, I tilted my iMac so it focused on my piano, which is the Steinway upright… Continue reading When the piano teacher is absent between lessons, a You Tube video can fill in the gap (Fur Elise and chord voicing)

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Picking the right piano to record a selection (Videos)–“Fur Elise” by Beethoven

arioso7: Shirley Kirsten

I've heard stories about great pianists such as Richter obsessing over a choice of piano for a concert. Allegedly, he was very fussy, and sometimes regretted the one he picked out for a recital. But when he found himself playing in Siberia and rural parts of the Russian landscape, he rose to the occasion, and… Continue reading Picking the right piano to record a selection (Videos)–“Fur Elise” by Beethoven

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My weekly breather in El Cerrito: Teaching munchkins in the East Bay (Piano lessons in progress–Videos)

arioso7: Shirley Kirsten

I always look forward to my weekly getaway to El Cerrito because I can take wholesome deep breaths without choking on toxic Central Valley air. Besides, I also get to teach a few delightful munchkins and adults. While the visit is all too short, I still relish my walks amidst the foliage as I ascend… Continue reading My weekly breather in El Cerrito: Teaching munchkins in the East Bay (Piano lessons in progress–Videos)