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Haydn on the harpsichord or piano? (Competition interlude)

Elaine Comparone insists that playing Haydn's works on the harpsichord stirs her "imagination to new heights." The harpsichordist's upload of Haydn's eloquent Sonata No. 52 in Eb Major ironically paralleled Reed Tetzloff's piano performance in Moscow which introduces an aesthetic comparison or two. Reed's You Tube channel features the opening Allegro movement, https://youtu.be/q6l2qguKhik while his… Continue reading Haydn on the harpsichord or piano? (Competition interlude)

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J.S. Bach, the piano, harpsichord and early music tunings

Elaine Comparone, a well-regarded harpsichordist rendered a dance movement from J.S. Bach's French Suite No. 5 in G, (BWV 816) that I'd performed on the pianoforte. In the Loure, (written in G Major) I was immediately struck by a pitch disparity between our respective instruments. While Loure was composed in the key of G Major,… Continue reading J.S. Bach, the piano, harpsichord and early music tunings

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Baroque Ornaments, execution, style, context and taste: A Conversation with Elaine Comparone

One of the delights of my trip back to hometown New York City, was an encore visit with Elaine Comparone!

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Scenes from Manhattan

First day in the Big Apple: These are popular picture postcard themes yet worth memorializing. I took this photo set as I trekked from 34th Street and Penn station to the West Side 'Y' gym at 63rd off Central Park. Bogged down with luggage, I approached Columbus Circle at W. 59th Street (off Central Park)… Continue reading Scenes from Manhattan

J.S. Bach, piano addict

Celebrating my 1000th Blog with BACH!

Enough blabber, Bach says it best. What a wondrous ongoing musical journey with so many kind and attentive readers. Thanks for all your support, comments and feedback. Onward! SK (Arioso7) http://youtu.be/yte9ugmpXyk http://youtu.be/UIOewMxAUZQ http://youtu.be/k1g1tr2a-WA http://youtu.be/TGE6MriJZ-Y http://youtu.be/jR2Frx5GKss

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She plays “red-blooded” harpsichord!

It's well-known to a wide audience of admirers that Elaine Comparone has a commanding presence at the harpsichord. And while she sits this one out in a bedazzling reading of Bach's D minor concerto, she's made headlines standing before her beloved as Queen of a Chamber Band that's produced reams of high quality performances. Comparone,… Continue reading She plays “red-blooded” harpsichord!

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Should a teacher demonstrate phrasing and interpretation for a student?

I asked a few piano teachers and a harpsichordist if they felt playing passages, phrases for a student was a viable way to teach, and why? Seymour Bernstein, author, With Your Own Two Hands, rendered a riveting opinion: "I have never taken a lesson with a pianist-teacher who didn’t demonstrate musical and technical points under… Continue reading Should a teacher demonstrate phrasing and interpretation for a student?