Tag: J.S. Bach Fugue in C minor BWV 847

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Piano Lesson: More intensive work on J.S. Bach Fugue in C minor, BWV 847 (phrase shaping, voice balancing and form/theory analysis)

arioso7: Shirley Kirsten

Claudia, 11, and I refined our work on measures 9 through 21, with special attention to Episodes. She practiced shaping voices, balancing them, and creating a gradual crescendo where needed. (form and theoretical analysis were woven into our Fugue exploration) We concluded by playing the Fugue from the opening to measure 18. http://www.youtube.com/watch?v=b5shZxgti0s

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J.S. Bach Fugue/Piano Lesson in Progress, (BWV 847 in C minor) plus Aiden Cat begs for affection, feeling left out (Videos)

arioso7: Shirley Kirsten

Claudia, 11, continued practicing Bach's Fugue in C minor, (Well-Tempered Clavier) following a break for the Baroque Festival. We had intensified study of the Prelude in preparation for this event. For today's lesson, our work encompassed the Fugue opening through measure 20. http://www.youtube.com/watch?v=W55yctLJcWw The manuscript below incorporates the theoretical mapping of Jose Rodriguez Alvira http://www.teoria.com/articulos/analysis/BWV847/index.htm… Continue reading J.S. Bach Fugue/Piano Lesson in Progress, (BWV 847 in C minor) plus Aiden Cat begs for affection, feeling left out (Videos)

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Parts one and two, Piano Lesson in progress: Parceling voices in J. S. Bach’s C minor Fugue, BWV 847

arioso7: Shirley Kirsten

Claudia, 11, practiced piecing out the Fugue form today in BWV 847 (three voices). We played through the subject, tonal answer, and counter-subject 1, continuing with a transition that led to statements of the subject and counter-subject. I had her singing and playing various combinations of voices, also noting an inversion of counter-subject I. The… Continue reading Parts one and two, Piano Lesson in progress: Parceling voices in J. S. Bach’s C minor Fugue, BWV 847