Tag Archives: Journal of a Piano Teacher from New York to California

The Big Winner in the XV International Tchaikovsky Competition!

It would be easy to reel off a list of prizes in 4 separate Moscow competition categories and characterize all recipients as “winners,”–that is if we put music-making into the sports arena with a clear cut victor and an opposing … Continue reading

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Tchaikovsky Competition, Round ONE: My favorite performers and those undeservedly overlooked who never made it to Round 2

First a big congratulations to George Li, whose opening recital earned him passage to the next round. He’s scheduled to play today, Sunday, June 21, at 10:00 a.m. Pacific Daylight time. (1 p.m. EDT) Li’s Program: Sergei Rachmaninov. Variations on … Continue reading

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A Triumph for pianist, George Li!

Among many opening piano recitals beamed around the world by Medici in the first round of the Tchaikovsky Competition, George Li’s display of virtuosity was the most riveting for me. A synthesis of intellect, emotion, sensitivity and spontaneity hallmarked Li’s … Continue reading

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My visit to Faust Harrison Pianos in Manhattan, and White Plains, New York

During my recent NYC touchdown for the occasion of my mother’s memorial service, I found a weekend interval to make side trips to Faust Harrison Pianos’ remarkable showrooms and factory. Serendipitously drifting into an inviting space on Piano Row’s West … Continue reading

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Piano Lesson from the Big Apple by iPhone!

It’s one thing to fly from California to New York, taking in awesome views from the plane. But would I lay back and lapse into surrendering a week of piano instruction just because I had a NYC based family obligation? … Continue reading

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My NYC High School of Performing Arts Reunion!

Saturday, June 6th Performing Arts High (FAME I’m gonna live forever!) Reunion! A first for me that was worth a crowded subway ride to the heart of Times Square plus a zesty walk through throngs of tourists. While I missed … Continue reading

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Piano Technique: Remediating peak octave scale paralysis (Staccato)

Choking up is probably the best description of what often happens to final scale octaves and their turnaround. Students get anxious at the terminus, and tend to crowd notes as if they’re racing to the finish line, when in fact, … Continue reading

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