Tag Archives: Ludwig Van Beethoven

“Listen to the Long Notes”

Five words resonated profoundly through a Masterclass given by Pianist, Andras Schiff at the Juilliard School. They framed a myriad of movements in Baroque, Classical, and Romantic eras. Three students offered selections by Bach, Schubert and Schumann. (The event was … Continue reading

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Before and After the Fall, Music Heals

As I sit under a webcam mounted on a 7 foot tripod, I have an uneasy feeling that the cam will dislodge, reviving the nightmare of my head injury, sustained in a backwards fall on June 29th. What made things … Continue reading

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The Importance of Analytical Practicing

Needless repetitions that are unfocused, without attaching an analysis of what requires improvement will impede a piano student in the advancement of a composition. And while a tricky, isolated passage or complete section of a piece may have been carefully … Continue reading

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Patience and Practicing

I rarely write what is characterized as a fluff piece, a filler blog that meanders around the powers of positive thinking and related platitudes. Such flighty commentary often sounds time-worn and replete with cliches. Yet, I have to admit that … Continue reading

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Reading Between the Lines: Making decisions about Dynamics

Dynamics cannot always be taken literally when a player embarks upon serious study of a particular composition. In fact, what often governs the shaping of phrases through many measures even with composer inserted soft (piano) or loud (Forte) directives, are … Continue reading

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Piano Technique: Creating an illusion of legato

It’s a challenge to play scales, arpeggios, and passages lifted out of the mainstream Classical piano repertoire with a well-shaped and nicely spaced legato. (smooth and connected playing) But it can be more daunting to navigate particular sections of masterworks … Continue reading

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Piano Technique: Energy-saving, Relaxed, Resting hands

It’s common for piano students to tense a hand that is not actively engaged in playing during measured rests. Beethoven’s “Fur Elise,” an aspirational piece for so many, is the perfect representation of interactive, woven hands, that flow across from … Continue reading

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