I've often been asked about the nuts and bolts of assessing a piano, even before a technician lays his hands on it. (A Registered pro will explore facets of internal assembly while my journey of discovery is intuitively tactile and tonal, forged on behalf of students searching for an alternative to the digital universe.) The… Continue reading Evaluating an Acoustic piano before purchase
Every so often, I find myself at the local piano outlet, tinkering with the latest digitals on and off the shelf. (portables and consoles) And as the weekend rolled in, I was invited to DC Piano by a new student who'd purchased a Kawai CA 58 console electronic without my input. No doubt, my prodding… Continue reading A week of digital and acoustic pianos!
Many students complain about getting stuck at junctures of scales, or in the midst of passagework in a variety of pieces. As mentor, having observed these glitches from an objective distance over cyber or through person-to-person contact at my studio, I've concluded that note-to-note "vertical" playing can snatch continuity from the mind down to the… Continue reading Piano Practicing: Phrasing in Groups of notes
With our ultra exposure to You Tube, MP4s, CDs, etc. we often forget what it's like to experience a LIVE performer inhabiting an acoustical paradise such as Davies Hall, San Francisco. In a give and take between pianist and audience, a swell of dynamics and limpidly melting cadences elicit an intimate exchange of emotions that's… Continue reading A memorable Evgeny Kissin Piano Recital!
This week's post is, in part, a response to a Word Press inquiry about how to approach trills in Mozart's Sonata in F, K. 332. (Allegro) The measures under examination are those that lead toward the Development section with a modulation to the Dominant key of C Major. These same configured trills return at the… Continue reading Trills, Trills, Trills and how to practice them!
Over decades of teaching children from beginners to advanced levels, I've been struck by those who progress over a lengthy period due to their focused, disciplined, and organized practicing. Each encounter at lessons becomes for them, an awakening, reinforced by deeper probing. If a pupil is willing to partner in such a journey where a… Continue reading Anti-boredom formula=Daily, attentive, patient, layered practicing
A wellspring of inspiration poured forth in a Tweet posted by virtuoso cellist, Steven Isserlis whose vivid musical imagination fuses with his seamless technique. (We share common Oberlin Conservatory "roots" and an insatiable love for J.S.) It was no accident that while unearthing a perfect gem among a collection of Bach Little Preludes, I encountered… Continue reading How Bach should be played is Twitter-framed!