If a student is well-prepared, having devoted quality time during the week to practicing scales, arpeggios, and pieces assigned, a lesson can contain a nice balance of ingredients. Barring holidays, long distance travel and time zone changes, most pupils will devote 15 to 20 minutes of their lesson to technique, and the remaining 40 minutes… Continue reading A balanced piano lesson of Technique and Repertoire
It's one thing to fly from California to New York, taking in awesome views from the plane. But would I lay back and lapse into surrendering a week of piano instruction just because I had a NYC based family obligation? No way! As long as I had my iPhone as backup, I would try to… Continue reading Piano Lesson from the Big Apple by iPhone!
Today, the technique portion of a Face Time lesson to North Carolina complemented the main musical course, Chopin's Waltz in A minor, Op. Posthumous. It was a harmonious streaming with thumbs swinging; arms floating; and scale contouring that fed well-shaped Romantic era phrases. It played out as follows: The A minor scale was parceled out… Continue reading Piano technique lesson segments flow nicely into repertoire
Randall and Nancy Faber came through with flying colors by including J.C. Bach's Prelude in A minor in their Developing Artist Series Album, Early Intermediate Level. It's definitely a winner with ear-catching appeal! *** In a heart-melting opener to a more cognitive analysis of the composition, I play a series of sonorities that provide a… Continue reading A favorite Piano Prelude to play and teach
Teaching affords the greatest opportunity to listen objectively to students serving up their menu of pieces. It allows ideas to spring forward and bounce back. Today, my Greek student resurrected his Chopin B Minor Waltz in preparation for a forthcoming concert, and he sorted through some of my epiphanies that were born of his playing.… Continue reading Piano lesson: Chopin B minor Waltz, Op. 69, no 2. (bouncing phrases back and forth)