Burgmuller, Friedrich Burgmuller

How to stay calm in the Eye of “The Storm”- Practicing Burgmuller’s L’Orage, Op. 109, No. 13

Most piano students are familiar with Friedrich Burgmuller's set of Twenty-Five Easy and Progressive Studies, Op. 100, that are tasteful Romantic era miniatures with appealing programmatic titles. "Tender Flower," "The Little Party," and "The Wagtail," to name a few, are far from dripping with the excesses that one might encounter in the manuscripts of Romantic… Continue reading How to stay calm in the Eye of “The Storm”- Practicing Burgmuller’s L’Orage, Op. 109, No. 13

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Piano Study: Tempo shifts from Childhood to Adulthood

Turning back the clock to my early years as a piano student, I regarded ANDANTE as the slowest tempo marking in the musical universe. So did all my friends who foot dragged their pedal and stumbled through the doldrums of any piece that had the "A" for power down the pace and lower volume while… Continue reading Piano Study: Tempo shifts from Childhood to Adulthood

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A fusion of art and music in The Magic Link: Piano Albums by Schumann and Tchaikovsky

Rada Bukhman, pianist, teacher, and fine artist, brings a wealth of talent to her latest undertaking. Her "infinite love affair between music and fine art" is the springboard for a journey through the related compositions of Robert Schumann and Pyotr Ilyich Tchaikovsky. Both composers produced colorful albums for the young that have a remarkable affinity… Continue reading A fusion of art and music in The Magic Link: Piano Albums by Schumann and Tchaikovsky

classissima, classissima.com, Denis Foreman, Mozart, Mozart piano sonatas, Mozart Sonata in Bb K. 281, Murray Perahia, piano, piano instruction, piano lesson, piano sonatas, Shirley Kirsten, Shirley Smith Kirsten, Wolfgang Amadeus Mozart

Practicing a Mozart Andante movement, using a “singing pulse”

Murray Perahia clarified the "singing pulse" when he discussed a form of rubato, or flexible time that he believed could apply to Classical era repertoire. In an interview conducted by Sir Dennis Forman in the 1980s, the pianist, known as a formidable musical poet of his generation, discussed the Mozart Concerto No. 21 in C,… Continue reading Practicing a Mozart Andante movement, using a “singing pulse”