Over decades of teaching, I've come to the conclusion that each student needs a custom designed long-term lesson plan. Method books only go so far. Often they stratify the learning process, keeping students in an interminably drawn out, regressive C Major universe. For the most part, flats and sharps with Letter Name identifications are regarded… Continue reading Individualizing Piano Study: How to avoid Method Book dependency
Tag: piano society
The Piano Teacher as Composer: Using my MOONBEAMS collection as an example (Video)
Why not give composing a try? I did. For the most part, you don't need a degree in composition, but a Theory background helps things along with voice leading in the bass part and understanding the rules of notation. Above all, intuition and inspiration are the main ingredients in any creative undertaking. In 1985 I… Continue reading The Piano Teacher as Composer: Using my MOONBEAMS collection as an example (Video)
Private Piano Teaching: A Hobby or Profession?
More swept under the rug issues related to piano teaching... hush hush.. Don't tread on sacred ground. Would I dare to blog about a Piano World post that bemoaned the plight of private piano teachers as hobbyists-- not hard-working, dedicated professionals. I might agree with some but not all of what I read on the… Continue reading Private Piano Teaching: A Hobby or Profession?
In a Piano Teacher’s Arsenal: The Magic bullet piece (VIDEO with Aiden Cat joining in)
There's always a piece of music lurking somewhere that can save a young student from quitting piano. For those of us who teach the great masterworks, passing a cultural legacy to the next generation, we know lickety-split when it's time to break out our ammunition: the magic bullet piece. Example: An 11-year old had gotten… Continue reading In a Piano Teacher’s Arsenal: The Magic bullet piece (VIDEO with Aiden Cat joining in)
PULLS AND TUGS: Two sides of the piano student/teacher relationship
There are two sides to every story, so in all fairness I've posited a number of situations that crop up in the piano lesson environment, with an analysis from the Teacher and Student's point of view. In some instances, I've substituted PARENT for STUDENT where I think it applies. RESOLUTIONS of various issues are explored.… Continue reading PULLS AND TUGS: Two sides of the piano student/teacher relationship
Are Adult Piano Students Stigmatized?
Here are riveting quotes from two adult students: The Italics are my emphasis. 1) "I feel like I’m in the adult student ghetto, where much latitude is given and few results are expected. We’re all supposed to be doing it 'for fun.' In a way, of course, that’s right. But in another way, if we… Continue reading Are Adult Piano Students Stigmatized?
Scouting a Piano Teacher
I have to thank "Lisa" for generating this idea for a new blog. Sometimes, the fountain runs dry until a student experience, teacher-related crisis, or musical event renew the supply. Let me think about this whole issue of picking and choosing the "right" piano teacher. (Applies to adult student-seekers as well) Hmm... I probably covered… Continue reading Scouting a Piano Teacher
Piano teachers, students, and reluctant farewells
Lillian Freundlich *** For many piano teachers who've nursed along students from Primer toddlerhood to an Intermediate level confidence-climbing phase, through to the Advanced, smooth riding finish with flashy fingers, the pupil's farewell is an emotional event. Of course, it depends on the circumstances of the departure and who is saying goodbye to whom.… Continue reading Piano teachers, students, and reluctant farewells
Adult piano students say and do the darndest things.
I remember Art Linkletter's show, "Kids Say the Darndest Things," which made me think of a few adult piano students and their hauntingly memorable words. Yesterday, for example, I was forewarned by a 70-year old pupil, that I should expect a call from her during the night about the key of "F# minor." What impending… Continue reading Adult piano students say and do the darndest things.
Piano Technique: Big Leaps, Crossed Hands, and shifty eyeballs (with slow motion video replay)
http://www.youtube.com/watch?v=JZxNy1VeOjk up tempo: http://youtu.be/t-3D6-s5qok Be prepared to exercise your eyeballs minus head movements when tackling large leaps, especially those hand-over-hand acrobatics that are intrinsic to many of Domenico Scarlatti's sonatas. In the first video I've isolated a few of these jumps from Sonata K. 113 in A Major, demonstrating what I've found to be the… Continue reading Piano Technique: Big Leaps, Crossed Hands, and shifty eyeballs (with slow motion video replay)
