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A favorite J.S. Bach tutorial (Little Prelude in F, BWV 927)

One of my adult students is excited about learning this treasured miniature, and it just so happened that I stumbled upon one of my you tube posted instructions that will assist both of us in our forthcoming two-way musical exchange. (After I put a piece away it's nice to know I can reference its timely… Continue reading A favorite J.S. Bach tutorial (Little Prelude in F, BWV 927)

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Never say never to a finger-trapping passage (Mozart Rondo: Allegro K. 545)-Video

While we all experience head on collisions with tricky measures despite our best efforts to avoid repeated catastrophes, (through careful, methodical practicing) there comes a time, to let go, and give the whole undertaking a rest. In my case, it was at least a year before I revisited the last part of Mozart's Rondo: Allegro,… Continue reading Never say never to a finger-trapping passage (Mozart Rondo: Allegro K. 545)-Video

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Piano Technique: Picking up Arpeggio Speed with blocked and unblocked note groupings

I uploaded two videos today that focus on practicing strategies for playing brisk paced arpeggio (G Major). The first is an after hours tutorial that I recorded by FACETIME SCREEN RECORD. The screen, framed by Millennium technology art nouveau, features my Arius YDP 141 digital piano as its centerpiece. The second video sample is a… Continue reading Piano Technique: Picking up Arpeggio Speed with blocked and unblocked note groupings

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Piano Lesson: Analyzing/playing Bach Invention in D minor, No. 4, BWV 775 in slow tempo (Videos)

In J.S. Bach's Two-part Inventions both voices overlap and imitate each other creating counterpoint. The SUBJECT of no. 4 contains a d-minor Harmonic form scale whose 6th note, B flat does NOT continue in an upward motion to the leading tone, C# or 7th note, but instead, the C# is displaced down to the lower… Continue reading Piano Lesson: Analyzing/playing Bach Invention in D minor, No. 4, BWV 775 in slow tempo (Videos)

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When sight-reading is not enough: Learning a new piano piece from the ground up so we can teach it to our students (Videos)

I'm reminded of a quote attributed to Sviatoslav Richter when asked how he approached a challenging new composition of virtuoso proportion: His reply-- "I read a new piece and then start practicing the place that irritates me the most. After learning that one I move to the next irritation, etc." Well, most of us would… Continue reading When sight-reading is not enough: Learning a new piano piece from the ground up so we can teach it to our students (Videos)

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The very first lesson with a new Intermediate or advanced piano student: thinking creatively on your feet

Two weeks ago I had the opportunity to meet a new adult piano student who had studied for a few years. Besides having this basic, preliminary information, I had no other tangible clues about her level of playing. The suspense of not knowing what music she would bring was lifted when two contrasting era works… Continue reading The very first lesson with a new Intermediate or advanced piano student: thinking creatively on your feet

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Adult Piano Student of the Week: From Poland (Польша) Comes Ania! (Videos)

Over a year ago, Ania arrived for her first lesson at my El Cerrito piano studio. A graduate student in the Sciences at UC Berkeley, she had passed through the esteemed Massachusetts Institute of Technology with flying colors. The Back Story Ania first undertook piano study in her native country when she was 12 in… Continue reading Adult Piano Student of the Week: From Poland (Польша) Comes Ania! (Videos)

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Piano Instruction: Chopin Prelude No. 4 in E minor, Op. 28, Teacher, Shirley Kirsten

http://youtu.be/By2h_rr9JSM http://youtu.be/TIWxLbW3Z38 Chopin composed 24 Preludes in Op. 28 exploring 24 different keys (Major and minor) with each Prelude having its own mood and character. In my step-by-step practicing of the E minor Prelude, I start with the Left Hand with its chordal mosaic, and listen attentively for descending chromatic movement between chords. In the… Continue reading Piano Instruction: Chopin Prelude No. 4 in E minor, Op. 28, Teacher, Shirley Kirsten

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Piano Instruction: Debussy Arabesque No. 1 (Video)–and playing through the whole composition

I first came to know this piece when a fifth grader at P.S. 122 in the Bronx was selected to play it at our student assembly. The ebb and flowing beauty of this work was so poignant, that I stored it away in my memory until I was able to personally experience this composition years… Continue reading Piano Instruction: Debussy Arabesque No. 1 (Video)–and playing through the whole composition

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Piano instruction: Beethoven’s Sonata “Pathetique,” Adagio mvt.–applying voice analysis and muscle memory to the opening ( 4 Videos)

The Adagio movement of Beethoven's Pathetique Sonata requires attentive listening, deep in the key practicing, muscle memory, and a natural breath that flows out of phrases. I start with the top most voice and work my way through to the alto and bass. (practicing individual lines) http://www.youtube.com/watch?v=C4qME1l6Oqo Blocking is applied to the alto and should… Continue reading Piano instruction: Beethoven’s Sonata “Pathetique,” Adagio mvt.–applying voice analysis and muscle memory to the opening ( 4 Videos)