Rina's mother attends her daughter's lessons, takes notes, and receives a follow-up assignment. Today, I sent her a video that summarized what we had accomplished yesterday along with a goal-setting outline. *** The child has been working on her legato which is a new and enticing musical universe. For the better part of 6 months… Continue reading Teaching piano to Rina, 5, with a supplementary video for mom that outlines our lesson plan and goals
This instruction continues from measure 41 through 57, where agitated pairs of 8th notes return, picking up the opening motif. As expected, I use blocking or clustering to keep the redundant figures resilient and bundled with energy. (a forward moving wrist motion is attenuated in rapid tempo, but more exaggerated in the slow practice phase)… Continue reading Piano Instruction, Part THREE Beethoven “Tempest” Sonata in D minor, Op. 31, No. 2
My El Cerrito students received a musical morale boost from Hammy's surprise appearance in their learning sanctuary. I guess we'll call the latest piano, "Hammy," while Haddorff in Fresno remains "Haddy" Someday, who knows, the two may pair up in Bay area cultural harmony. HADDY/HAMMY In the meantime, here's Fritz, an 8-year old, second year… Continue reading Fritz, 8, Baptizes my “new” Baldwin Hamilton Grand in El Cerrito, CA (Duet playing video)
What an irony that Nikolai Lugansky, star pupil of Tatiana Nikolayeva was bestowed, perhaps by chance, the masculine form of his teacher-to-be's last name. A prophetic link for both. I noticed that the esteemed teacher Dimitri Bashkirov, refers to his daughter's surname, Bashkirova, so the feminine equivalent of Russian names is often taken within a… Continue reading Lugansky’s piano teacher, Tatiana Nikolayeva, displayed greatness in her own right
http://www.youtube.com/watch?v=WS1Z2bqbss8 The great Vladimir Horowitz made this sonata almost a household word among pianists. Back in the 1950s, Ben Grauer, host of NBC's "Recital Hall" introduced students from Juilliard who played at least 3 Scarlatti sonatas, following Volodya's example. These Baroque selections were a necessary entrée to the main course of Classical, Romantic and Contemporary… Continue reading Scarlatti Sonata in E Major, K. 380, the one Vladimir Horowitz loved to play
Solfeggio, or using Do, Re, Mi, etc. musical syllables is a valuable adjunct to naming notes with letter names. It improves sight-reading and transposing while it develops ear-training skills.