I'm always combing through You Tube videos to unearth treasures that have escaped me. One gem turned up recently that was celebrated in my blog a few weeks ago: Gina Bachauer at the Jerusalem Music Center with teenage prodigy, Yefim Bronfman. It preceded my dip into the well of Seymour Bernstein's amazing talent. He's in… Continue reading Discoveries: Horowitz, A Reminiscence, and Seymour Bernstein in conversation-Chopin and Pedagogy
With unhealthy air quality alerts and record breaking temps keeping many Californians indoors, my own piano practicing was strategically planned to offset unexpected environmental changes. (Unlike those residing in the hills who received a RED FLAG evacuation warning, I could, in the flats, cling to my Steinway in a closed door, sealed window space--Ugh!) An… Continue reading Arpeggios filled up a week of wildfires!
During Shelter in Place, where students and teachers are adjusting to virtual instruction challenges, the role of recording segments of lessons, or creating a supplementary video to review practicing goals, becomes pedagogically valuable. Mac users can use the Quick time New Screen Record option during a Face Time lesson in progress, capturing the teacher image… Continue reading Tailoring lesson recording options to meet a piano student’s needs
I was practicing well past 2 a.m.--in fairyland, as it happened, rekindling Grieg's Dancing elves, (Op. 12, No. 4) when I took a break to check comparative tempos of the greats on You Tube. In my rapid transit through renderings of Rubinstein (41 seconds), same for Richter, I stumbled a upon a gem from the… Continue reading Historic Masterclass: Gina Bachauer mentors young Yefim Bronfman (1973)
My living room, formerly known as the piano room, seems empty now, though a favorite woven octagon rug has been an eyecatcher on You Tube. While I'd hardly been playing the singing nightingale Knabe piano before its departure due to unremiting downweight resistance, it remained a nice companion to Steinway M, 1917--dimming the grand's ultra… Continue reading Knabe upright out for repair, computer out for repair, but life goes on!
I vividly recall my first exposure to the art of breathing through musical phrases. It was at Merrywood Music Camp in Lenox, MA where I played second violin in a string quartet coached by Boston Symphony Principal violist, Eugene Lehner. The Berkshires nestled cabin that reverberated with Mozart's G Major chamber offering, K. 387, was… Continue reading A Lesson in Breathing into scales and arpeggios
Recently, I sprang upon a schemata that was an immediate turnoff. It amplified all the nitpicky processes that the brain performs while an individual plays the piano. Almost without thinking, I copied the colorful map, sending it to my crop of adult students, many in their senior years. As expected, the first reply was a… Continue reading Don’t Think! Play, Listen, Feel, Breathe
Besides my daily elliptical workouts, I add in piano routines that mobilize the arms, wrists and fingers with full blown natural breath support. Enlisting free flowing energy coming down relaxed arms and supple wrists, one experiences a player's "high" that fuels a sense of well-being streaming into other activities. Most of my students will devote… Continue reading (HD) Piano Gym Romps through Arpeggios!
Shelter in Place has become tolerable by having two compatibly resonant musical sibs in my dwindling living room. The shrinking multi-purpose space holds my side-by-side pianos, webcams, tripods, Big Mac, and HP monitor. (not to mention a sequestered sleeper sofa) The latest instrumental addition, Knabe WKV-132MD, a space-saving upright that replaced my mid-size Baldwin grand,… Continue reading A new partner Upright to my Steinway grand!
This past week I posted a video to help students navigate the arm weight transfer cosmos, by examining how to alter dynamics from left hand to right and in reverse. One can think of a wrap-around weight on one arm, while the other is load free, lifting up the dynamic to piano (soft). This will… Continue reading A Voicing Journey using scales as a model