phrasing, piano, piano blog, piano blog by Shirley Kirsten, piano instruction, Uncategorized

Beauty in Simplicity: Robert Schumann’s “Melody” No. 1

Schumann's Album for the Young opens with an ethereal duet that meanders through heart-rending harmonies by its seamless flow of broken intervals and chords in the lower line. (The bass is intentionally composed in an alto range, and read in the left hand with a second treble clef, bringing the duet to poignance by its… Continue reading Beauty in Simplicity: Robert Schumann’s “Melody” No. 1

piano instruction, piano learning, piano lessons, piano pedagogoy, piano teachers, piano teaching

Teaching approaches: Seymour Bernstein, Marianna Prjevalskaya and Karen Magruder

With gratitude to our mentors who light a path of learning with love, inspiration, knowledge, commitment and enduring patience. *** SEYMOUR BERNSTEIN http://seymourbernstein.com/ https://youtu.be/k-XngqDcJdg My intent in teaching is to make the pupil better than they are by leading them through musical and technical obstacles and helping them find solutions right there at the lesson.… Continue reading Teaching approaches: Seymour Bernstein, Marianna Prjevalskaya and Karen Magruder

piano, piano blog, piano instruction

Burgmuller’s Arabesque and Inquietude are teaching treasures

I'm always gratified to have a repository of progressive pieces that roll out smoothly from scale and arpeggio study to a universe of colorful, musical expression. Burgmuller's Op. 100 is such a learner rich album of 25 short works with infused choreographies that advance a musical/technical synthesis. "Arabesque," the second offering, is permeated by ascending… Continue reading Burgmuller’s Arabesque and Inquietude are teaching treasures

piano, piano instruction

Repeated groups of notes, metrical framing, and phrase contouring

With one big eyeful of Friedrich Burgmuller's "La Candeur" (Frankness), one observes repetitious strands of melody that can be stultified by a rigid 4/4 framing. The erroneous "study" or etude effect, furthered by a beat-hammering mentor, can thrust a struggling player into an inescapable auto-pilot zone Yet, the opening measures, with twin note groupings, can… Continue reading Repeated groups of notes, metrical framing, and phrase contouring

piano repertoire, piano repertoire for the beginning student

Delightful “Primary” Level Repertoire for Teachers and Students

A few years ago, I recorded a set of the most charming tableaux from Alexandre Tansman's Pour Les Enfants, thinking the composer had surely reached a peak of immeasurable poetic expression in his "Very Easy" volume 1. In truth, the contents could not be described in such Primer-like terms, because each miniature had built-in technical… Continue reading Delightful “Primary” Level Repertoire for Teachers and Students

piano

Seymour Bernstein’s legacy to piano students and teachers

When my blog well runs dry, I have only to draw on a reservoir of wise words from pianist/teacher/author/composer, Seymour Bernstein. And if replenishment is an overarching need coupled with inspiration, this referenced interview provides both in bucketsful. Intro: In 2018 Seymour had the honor of being guest artist at the Young Artist World Piano… Continue reading Seymour Bernstein’s legacy to piano students and teachers

piano, piano pedagogy

Piano posture, keyboard transit, floating arms and more

Our Bodies and the Piano might be a Millennial companion to Our Bodies, Ourselves. It can take the subject of our physical relationship to the pianoforte out of closeted neglect. If we turn back the clock to our earliest lessons, perhaps few of us can recall specific directions or advice about how to sit at… Continue reading Piano posture, keyboard transit, floating arms and more