Tag Archives: Robert Schumann

Chiming in the New Year with my favorite piano performance picks!

Grigory Sokolov grabs a deserved spotlight in this bedazzling performance of Schubert’s Klavierstucke No. 1 Bruno Sainmangeon, producer and documentarian captured Sokolov in the same acoustically favorable Berlin space that Murray Perahia chose to deliver the memorable Bach Partita in … Continue reading

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Arrived! Big Apple energy abounds!

A bleary-eyed, overnight jet traveler, I was instantly re-charged upon my early morning arrival at Kennedy. The City never sleeps. Avoiding the Sky train maze, I jumped the shuttle bus, belted in and felt the bumpy ride of ensnaring traffic … Continue reading

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Simone Dinnerstein at Dewing Recital Hall: A Crusade for a better piano

https://arioso7.wordpress.com/2014/02/01/simone-dinnerstein-at-dewing-recital-hall-a-crusade-for-a-better-piano/ Simone Dinnerstein, Pianist Friday, Jan.31, 2014 DEWING RECITAL HALL Mills College Oakland, California *** It’s sad that what’s most memorable about a concert is a piano not performing satisfactorily for a gifted, invited performer. Simone Dinnerstein, known for her … Continue reading

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Piano Instruction: Spinning Long Melodic lines in Romantic era music (Videos)

I’m about to fly off to a Skype lesson in UK, but while grounded here in Berkeley, I want to share epiphanies about spinning long melodic lines in the Romantic era genre. Using Schumann’s supposedly less complex “Melody” from his … Continue reading

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Shaping a melodic line through chord blocking (Schumann Little Etude no. 14)

To block out sonorities that spring from spun out, undulating broken chords, can provide a peak learning experience. In a baby-step advance, especially, where finding a melodic thread, may consist of a one-hand alone approach at first, the pleasure to … Continue reading

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A fusion of art and music in The Magic Link: Piano Albums by Schumann and Tchaikovsky

Rada Bukhman, pianist, teacher, and fine artist, brings a wealth of talent to her latest undertaking. Her “infinite love affair between music and fine art” is the springboard for a journey through the related compositions of Robert Schumann and Pyotr … Continue reading

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Comparing tempos and interpretation, Schumann’s Kinderszenen, Op. 15, no. 1

“Of Foreign Lands and People,” is the lyrical opener to Schumann’s Kinderszenen, Op. 15 (“Scenes from Childhood,”) but the composer’s metronome marking, 108 to the quarter, makes it a challenge to spin poetic lines, though Seymour Bernstein rises to the … Continue reading

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