Tag Archives: Robert Schumann

The value of studying short Romantic era Character pieces

Piano teachers often welcome the opportunity to use student repertoire requests as a springboard to nourish new learning adventures. Such pupil-driven musical endeavors can lead to deep-layered immersions in short, Romantically framed character pieces. The value of dipping into miniature … Continue reading

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Sound imagination and tactile, tonal expression at the piano for diverse compositional eras

Often a posted comment about a You Tube video inspires a blog topic that is of interest to pianists and teachers. One such public addition to my Channel quickly streamed into a comparison between two well-known compositions in the piano … Continue reading

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Pianist, Seymour Bernstein revisits the Schumann Arabesque at the age of 90

As I grappled with matters of tempo, mood, and interpretation in learning a Baroque era work, I found a kindred spirit in Seymour Bernstein who openly shared his introspective thoughts about re-thinking a well-known composition in the piano literature. Encapsulated … Continue reading

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Piano repertoire: Review and Refresh

Striking a balance between learning new pieces and keeping a connection to older ones, requires a commitment to well-parceled, organized practice time. It presents a challenge that invites a particular focus on preserving familiarity with repertoire that can easily slip … Continue reading

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Piano Pedagogy article by Byron Janis in the Wall Street Journal

http://www.wsj.com/articles/the-power-of-pedagogy-1472507353 This latest piece on how to teach piano (creatively) is gathering attention far and wide, most notably as an eye-catching feature in the Wall Street Journal. And if I’m not mistaken, an article on the joys of returning to … Continue reading

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The piano playing speed zone: Letting Go but Staying in Control

At some point, piano students will face the challenge of playing a super fast-paced piece without having it fall apart. And while such a task may seem daunting, the player can begin to allay his fears by devising a parceled … Continue reading

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Unlocking Schumann

My first thought last night as I was revisiting “Gluckes Genucht” after resting it for months, was that this tableau like others in Kinderszenen, Op. 15, beg for hand, arm, wrist flexiblity as antidotes to tension-driven lockdowns. The after beats, … Continue reading

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