Tag Archives: Romantic era music

A deep immersion in Schumann’s Wiegenliedchen, Cradle Song No. 6, Op. 124

Who would have thought that a Romantic era character piece of short length could have so much to savor on multi-tiered levels? Relentless triplets with double stemmed quarters, seemed at first glance to direct the player toward a horizontal rendering … Continue reading

Posted in adult piano lessons, adult piano students, piano teaching, piano teaching repertoire, Romantic era piano repertoire, Romantic era repertoire, Romantic music, Schumann, setting a good piano fingering | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Pianist, Seymour Bernstein revisits the Schumann Arabesque at the age of 90

As I grappled with matters of tempo, mood, and interpretation in learning a Baroque era work, I found a kindred spirit in Seymour Bernstein who openly shared his introspective thoughts about re-thinking a well-known composition in the piano literature. Encapsulated … Continue reading

Posted in piano, piano teaching, piano playing, pianoforte, pianos, playing the piano, Schumann Arabesque, Schumann Arabesque Op. 18 | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | 6 Comments

A musical journey through a Chopin Waltz in glowing terms

A particular composition that’s explored during a piano lesson can afford a multifaceted examination of phrasing. In this beauty-seeking musical cosmos, no singular focus will necessarily supersede others. Instead, a panoply of framing cues or prompts can nourish well-shaped phrases … Continue reading

Posted in Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Music and Words Revisited in Chopin’s compositions

In a lifetime, a few flashing moments of inspiration may guide our musical journey, deepening our understanding of a composer and his music. In this nostalgic universe of enlightenment, I treasure a precious parcel of wisdom imparted by gifted pianist/teacher … Continue reading

Posted in Chopin, Frederic Chopin, Irina Morozova, piano, piano instruction, The Special Music School | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

Piano Technique: Playing Lyrical Legato Octaves

I recall my beloved teacher, Lillian Freundlich, teaching me how to play singing tone, legato octaves through a process that separated the upper fingers, 4 and 5, from the lower thumb progressions. She would not advance to the actual octave … Continue reading

Posted in legato octaves, piano | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

How to stay calm in the Eye of “The Storm”- Practicing Burgmuller’s L’Orage, Op. 109, No. 13

Most piano students are familiar with Friedrich Burgmuller’s set of Twenty-Five Easy and Progressive Studies, Op. 100, that are tasteful Romantic era miniatures with appealing programmatic titles. “Tender Flower,” “The Little Party,” and “The Wagtail,” to name a few, are … Continue reading

Posted in Burgmuller, Friedrich Burgmuller | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

Don’t Choke through peak sections of a Chopin Nocturne

Many adult students get bent out of shape when a piece of “night music” blooms with “improvised,” decorative passagework at peak expressive levels. Add in prolonged trills with lower notes tied (held down) leading to a decisive crescendo through a … Continue reading

Posted in Chopin, Chopin Nocturnes, Frederic Chopin, piano, piano blog | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment