Tag: supple wrist in piano playing

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Piano Technique: Wrist dipping and thumb twiddling

arioso7: Shirley Kirsten

With creative juices flowing during a piano lesson by Skype, a teacher can toy with various mental images by webcam that assist fluid technique. "Wrist dipping" through a five-finger position in rapid rhythm required focus on how to avoid the inevitable accent that occurs on framing thumb and pinky. "Soft" landings were therefore isolated and… Continue reading Piano Technique: Wrist dipping and thumb twiddling

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Facing the Music on FACETIME

arioso7: Shirley Kirsten

  https://youtu.be/hFHhwQPP2Jw Burgmuller's "SORROW" received a BOOST on FACETIME where it was the PITS on SKYPE. The latter sometimes mimics jet landings with a whoosh sound, while an echo chamber effect causes unwanted tremolos. In this "FACE"-beamed environment, a formerly LIVE student who turned VIRTUAL, experienced a musical FACE-lift. With a new media spotlight, where… Continue reading Facing the Music on FACETIME

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Piano Technique: Scoop it up, loop around 4-note Arpeggios (in inversions)

arioso7: Shirley Kirsten

These particular arpeggios in 4-note sequences are some of my favorite warm-up routines. http://youtu.be/LISoCWi_obY Although most students find them tricky to navigate, certain "cues" planted in the psyche assist a smoother ride. The video demonstration below lays out preliminary blocking techniques to reinforce fingering and centering for each 4-note broken chord starting with the first… Continue reading Piano Technique: Scoop it up, loop around 4-note Arpeggios (in inversions)

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Old World piano playing (1949) with a pronounced wrist break

arioso7: Shirley Kirsten

The supple wrist amounts to a "wrist break" that is discouraged among partisans of the Taubman approach. In the main, they adhere to a forearm-driven piano technique along with rotation, and relaxation . The videos embedded, however, contradict such rigid thinking about the wrist, as demonstrated by the performance of a Polish pianist (1949) A Chopin Mazurka is energized by redundant wrist breaks without incurred injury. As one colleague related in reference to Taubman/Golandsky, "how could decades of Russian teaching so easily be tossed aside."

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Piano Technique: The dipping wrist, and how it defies convention (Videos)

arioso7: Shirley Kirsten

One of my adult students echoed a belief that has resonated for generations in piano studios across the country, if not the world. The OLD school of thought was that you played piano with a rigid, arched hand, and if you slipped into a longer, relaxed curve, or dared to DIP your wrist below the… Continue reading Piano Technique: The dipping wrist, and how it defies convention (Videos)

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Piano Technique: A Bouncy Scale workout with forward arm rolls and supple wrist motions–Enjoy the romp! (Videos)

arioso7: Shirley Kirsten

Scales can be a great workout routine if you let your arms loose, dip your pliant wrists and go with the flow. And it's a great cardio. (No treadmill or weights required) Just apply principles of balance and buoyancy. Here are snatches from an adult student's lesson (Legato and staccato playing with slow motion replays)… Continue reading Piano Technique: A Bouncy Scale workout with forward arm rolls and supple wrist motions–Enjoy the romp! (Videos)

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Piano Technique: Practicing dip/roll motions, and dead weight fat lady to skinny dipper for diminuendo (Videos)

arioso7: Shirley Kirsten

I show my 13-year old student, Albertina how to dip/roll the last measures of Burgmuller's frenzied Ballade, while applying weight control to taper a phrase. (diminuendo) We're on the final lap of preparation for Saturday's Spring Recital! http://youtu.be/FjaKqpnUq08 ONLINE Webcam piano classes and Instructional schedule: http://www.powhow.com/classes/shirley-kirsten Play through: http://www.youtube.com/watch?v=JTR0BIMxCdA

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Piano Instruction: Teaching “Flamenco” by Gillock with chord blocking and wrist forward spring motions (Videos)

arioso7: Shirley Kirsten

A favorite piece bundled with color and energy, Gillock's "Flamenco" is a joy to teach. The good news is that it has many chordal patterns built into its fabric, making it a easier to learn than works with less symmetry. In my instructional video, I use a "blocking" technique to map out the topography and… Continue reading Piano Instruction: Teaching “Flamenco” by Gillock with chord blocking and wrist forward spring motions (Videos)

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Piano Technique: Burgmuller’s Tarentelle, Op. 100-Fueling and shaping fast passages with a dipping, supple wrist (Videos)

arioso7: Shirley Kirsten

Most piano students will have been assigned a Burgmuller selection or two during their formative years of study. And most likely, these would have been snatched from the composer's Twenty-Five Progressive Pieces, Op. 100 that advance by steps in difficulty, though it can be argued that all contain unique technical challenges. Composed in the Romantic… Continue reading Piano Technique: Burgmuller’s Tarentelle, Op. 100-Fueling and shaping fast passages with a dipping, supple wrist (Videos)

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Piano Technique: Two nifty warm-up routines, one loopy, the other for zig-zaggers

arioso7: Shirley Kirsten

Claudia, 11, and I do a 20-minute warm-up before she tackles repertoire at her weekly lesson. Today I snatched two routines that might help others with the time-honored, upper arm roll, supple wrist, and elbow swing. Just my bias showing about technique and what I favor in its development. I've presented this one before, but… Continue reading Piano Technique: Two nifty warm-up routines, one loopy, the other for zig-zaggers