The Pastorale in D, included in Margery Halford's Scarlatti, An Introduction to his Keyboard Works, poses significant musical challenges. In the technical realm, the composer has a tricky landscape of two-note legato figures as offbeats in the treble, and these are set against bass, dotted quarter rhythms. (This counterpoint is later inverted in the middle… Continue reading Piano Instruction: Pastorale in D Major, K. 415 by Domenico Scarlatti, a stepwise approach
Tag: taking piano lessons
If this is the Russian Singing Tone School of Piano Teaching, then it’s a Winner! (Videos)
Irina Gorin, a teaching emissary of the Russian pianistic tradition that's produced Richter, Gilels, Ashkenazy and Lugansky to name a few, brings her pedagogical efforts glowingly down to the level of a 4-year old. And it's delightful to watch. Certainly, more entertaining than my cat's bungled keyboard performance last night. Irina would agree that Aiden… Continue reading If this is the Russian Singing Tone School of Piano Teaching, then it’s a Winner! (Videos)
A taboo subject: When the “other” piano teacher snatches your student
A pupil snatch is usually a covert, behind the scenes operation.
Piano Lesson in progress: Fugue in C Minor, BWV 847 (Video)
Claudia S., age 11, identified and practiced the Subject, Tonal Answer, and Counter-subject 1 and 2 of the Fugue BWV 847. She learned how to make a difference between portato and staccato as she examined form, structure, and phrasing. http://www.youtube.com/watch?v=zvXZKI6HLIY
Is there a short cut route to learning piano?
Promises abound on the Internet about playing piano in a flash. Short cut promoters claim thousands of dollars are wasted on "traditional" piano lessons. A teacher in the Southwest advertises software that speeds up note reading. Children as young as two are glued to a computer that's attached to an electronic keyboard with far fewer… Continue reading Is there a short cut route to learning piano?
Piano Instruction: Part Two Debussy Arabesque, No. 1, Teacher, Shirley Kirsten (Video #2)
Part two transitions to A Major. (The composition is in E Major) and has a different character though motifs and ideas from the opening section intersperse this portion of the Arabesque. A very noteworthy change that occurs with the modulation to A Major, is a prevalence of chords, some of which move homophonically (in the… Continue reading Piano Instruction: Part Two Debussy Arabesque, No. 1, Teacher, Shirley Kirsten (Video #2)
Between California and Oregon: Skyping Chopin with an eight-year old student (Video of lesson in progress)
At the cue of a SKYPE musical trademark ring, I tapped the green-colored phone icon and brought an eight-year old, her dad, and a grand piano into view. A second virtual lesson beamed between California and Oregon officially began! Featured composition: Chopin's Waltz in A minor, no. 17, Op. Posthumous. This time I aimed my… Continue reading Between California and Oregon: Skyping Chopin with an eight-year old student (Video of lesson in progress)
