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Sight-reading, Transposition, and Ear-Training for the Adult Piano Student

Setting aside a segment of lesson time to work on sight-reading and transposition is an essential ingredient of piano learning. It sensitizes a student to interval relationships while inviting an analysis of notes within a tonal, harmonic, and rhythmic frame. In the transposing universe, Bartok's *Mikrokosmos provides an excellent source of such material in graduated… Continue reading Sight-reading, Transposition, and Ear-Training for the Adult Piano Student

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Ear Training and Transposing are intrinsic to piano lessons (examples from an Adult lesson in progress)

It's not easy to plan a one hour piano lesson to include ear training, solfege and transposing. (They belong together, bundled with Theory, and enrich the learning environment) At the Oberlin Conservatory, Theory, Keyboard Harmony, and Eurhythmics were taught separately. Our piano teachers (applied study) adhered to their rigid routine, rarely fitting solfege, sight-reading, improvising,… Continue reading Ear Training and Transposing are intrinsic to piano lessons (examples from an Adult lesson in progress)