A Domenico Scarlatti Sonata that enables Finger and Forearm Staccato

It's been decades since my beloved N.Y.C. piano teacher, Lillian Freundlich bestowed upon me the gift of Domenico Scarlatti Sonatas. And at the time, (while I was a student at the New York City H.S. of Performing Arts) I had no idea that those she had selected were permeated with the basics of technique bonded…

A “cool” dip into Quicktime for wrist, finger, and forearm staccato practice

Amazing how 90-degree temperatures in the East Bay can wreak havoc over Face Time transmissions. It nearly made Online mentoring come to a grinding halt yesterday! except that a Quick Time saving grace Lesson Preserver came to the rescue! *** In my Scotland travels, I'm accustomed to subbing in the iPhone for the iMac because…

Piano Technique: Practicing 4 varieties of detached notes

This evening Big Mike, whose hands are impressively large, finessed various types of staccato. He proved that elasticity is more influential than finger length (and related) in producing clearly articulated notes in diverse colors. We started with a B minor (Natural form scale) enlisting a forearm FORTE staccato, then continued to a soft range, still…

Piano Technique: Psychological and physical approaches to staccato (Video)

Today's romp in F# minor (melodic form) brought new awakenings in the universe of bouncy staccato through scales and arpeggios--(in big Forte projection, followed by a soft, piano range rendering) Within the psychological universe where mental images abound, catchwords like "THINKING UP" through rapid fire 32nds, kept the notes percolating without falling down FLAT with…

Piano Technique: Staying CONNECTED while playing staccato

I've picked the B Major Scale with 5 sharps distributed through double and triple black note sequence, to demonstrate wrist, forearm, and finger staccato. In these forays through detached notes, I emphasize how to stay "in touch" and not lose a basic connection to threads of notes. Many ingredients contribute to the creation of a…