Tag Archives: youtube

George Li, among 6 Tchaikovsky Competition Finalists

As many cheering fans had expected, George Li catapulted himself into the Finals with a memorable performance of Mozart’s Piano Concerto in A, K. 488. http://tch15.medici.tv/en/performance/round-round-2-piano-2015-06-24-2030000300-great-ha Reed Tetzloff not having the same good fortune to make the cut, still delivered … Continue reading

Posted in Classical music blog, George Li, Journal of a Piano Teacher from New York to California, Lucas Debargue, piano, piano blog, piano competition, Tchaikovsky International Piano Competition | Tagged , , , , , , , , , , , , , , , , , , , , , , | 8 Comments

Piano Technique: When an adult student is in the Zone!

It’s always valuable to snatch a lesson segment when a student gets it just right and has the equivalent of a runner’s high at the keyboard. It’s certainly instructive for both teacher and pupil to observe what conditions predisposed a … Continue reading

Posted in arpeggios, Journal of a Piano Teacher from New York to California, piano, piano technique, scales | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Piano Technique: The Rotating Thumb

With all the cyber forum posts about thumbs up, thumbs down, early or late, advanced or delayed, the ROTATIONAL dimension of the shortest, and most problematic finger is often overlooked, and because of miss-directed attention, the clunky thumb brigade marches … Continue reading

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Playing J.S. Bach with an awareness of Harmonic Rhythm

In working through Bach’s two-part Invention No. 13 in A minor, an adult student and I explored harmonic resolutions and their influence on phrasing. *** While many pupils expect cadences to be predictable resting points where pianists typically taper a … Continue reading

Posted in adult piano instruction, Bach Two Part Inventions, J.S. Bach, Johann Sebastian Bach, piano, piano instruction, piano lessons, Two -part Inventions | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The argument for learning piano on an acoustic

Today I was scoping out some Baldwin Acrosonic pianos on New York Craig’s List as I have a few East Coast Skype students who are playing not-so-terrific sounding digitals. They cannot produce a singing tone on them, or enjoy the … Continue reading

Posted in Acrosonic Baldwin, Baldwin, Baldwin Acrosonic, Craigs List, piano blog, Shirley Kirsten, Shirley Smith Kirsten, used piano market, used pianos, wordpress, you tube | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 16 Comments

Does approaching notes in different ways at the piano affect tone production?

Emanuel Ax, well-known concert pianist and teacher asserts that one note struck cannot be varied by physical approach (except for volume) and I’m assuming duration (a clipped staccato release vs. a lingering sustain without pedal) Yet he didn’t provide enough … Continue reading

Posted in Classical music blog, classissima, classissima.com, Emanuel Ax, Journal of a Piano Teacher from New York to California, phrasing at the piano, piano, piano blog, Shirley Kirsten, Shirley Smith Kirsten, tone production at the piano, word press, you tube | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

The latest about Seymour Bernstein, the Hawk(e), and two colorful Birds

Today began on a high note. Ethan Hawke’s documentary about Seymour received a rave review in the New York Times. It was the latest in a series superlatives that synchronized perfectly with the film’s debut in New York City at … Continue reading

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