Category: developing sight-reading skills as an aid to memorization

creative learning environment, developing sight-reading skills as an aid to memorization, El Cerrito, El Cerrito California, El Cerrito piano studio, Fresno California, harmonic analysis, improving sight reading skills, Journal of a Piano Teacher from New York to California, keyboard technique, Lillian Freundlich, Major and minor scales, memorizing piano music, mental imagery, Mildred Portney Chase, mind body connection, MTAC, muscular memory, music, music and heart, music and the breath, music memorization, music teachers association of california, musical phrasing, New York City High School of Performing Arts, New York University, Oberlin, Oberlin Conservatory, Old Fig Garden in Fresno, phrasing at the piano, pianist, piano, piano instruction, piano instructor, piano lesson, piano lessons, piano pedagogy, piano practicing, piano student, piano teacher, piano teaching repertoire, piano technique, piano tutorial, Piano World, pianoaddict.com, Pianostreet.com, pianoworld, pianoworld.com, playing piano, publishers marketplace, Rondo form, self-analysis, Shirley Kirsten, Shirley Kirsten blog, Shirley Smith Kirsten, Steinway M grand piano, talkclassical.com, Teach Street, teaching piano, teaching piano scales, teaching scales, technique, Theory, Uncategorized, whole body music listening, word press, wordpress.com

Memorization at the piano: How to improve your skills

arioso7: Shirley Kirsten

Memorization should be a natural outflow of consistent, thoughtful practicing. Thoughtful is underscored because it's the most important ingredient in the process of playing a studied piece without music. It means having mental assists that relate to mapping out a particular composition without chance reliance on intuition or instinct. So if you suddenly find yourself… Continue reading Memorization at the piano: How to improve your skills