"Tales of a Musical Journey" by Irina Gorin, acoustic piano, arioso 7, blog, blogger, blogging, blogging about piano, blogs about piano, children's music, El Cerrito, El Cerrito California, El Cerrito piano instruction, El Cerrito piano studio, emotion in music, fingering and phrasing at the piano, fingering and piano technique, five finger positions at the piano, five finger warm-ups, Irina Gorin, Journal of a Piano Teacher from New York to California, Just Being at the Piano by Mildred Portney-Chase, legato playing at the piano, mental imagery, mindful piano practicing, mindful practicing, molto cantabile, MTAC, MTAC.org, New York City, New York City High School of Performing Arts, Oberlin, Oberlin Conservatory, pentascales, phrasing at the piano, pianist, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano playing, piano playing and relaxation, piano practicing, piano studio in El Cerrito, piano study, piano teacher, piano teachers, piano teaching, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing five-finger positions, playing legato at the piano, playing piano, playing staccato, playing staccato at the piano, playing the piano, POWHOW, POWHOW instruction, POWHOW piano instruction, POWHOW.com, practicing a piece in 7 different emotions, practicing arpeggios, practicing piano, practicing piano with relaxation, publishers marketplace, publishersmarketplace, Rina, Rina 4 takes piano lessons, Rina takes piano lessons, rotation in piano playing, scales, shirley kirsten piano teacher in El Cerrito, Shirley Kirsten teaches classes at POWHOW, shirley s kirsten, Shirley Smith Kirsten, Skype a piano lesson to Australia, Skype piano lessons, slow mindful practicing, slow piano practicing, teaching piano to young children, teaching Rina piano, teachinig piano to young children, technique, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, youtube.com

Growing piano technique in baby steps: Rina, 5, advances to hands together five-finger positions (adding in 10ths)

Rina may not know the words "pentascales" and "tenths," but she has the intelligence to notice when her fingers move up and down together, playing the same notes an "octave" apart. With a sound knowledge of the music alphabet in both directions, she has good cognitive reinforcement. (She also knows "running notes" or 8ths, "long… Continue reading Growing piano technique in baby steps: Rina, 5, advances to hands together five-finger positions (adding in 10ths)

Bay area piano instruction, Beethoven, Beethoven "Tempest" in Dminor Op. 31 no.2, Beethoven "Tempest" sonata op. 31 no. 2, Beethoven Tempest Sonata first movement, blogger, blogging, blogging about piano, Classical era, Classical era piano music, classical period piano music, Classical period sonata, classissima, classissima.com, classisssima.com, El Cerrito, El Cerrito California, El Cerrito piano instruction, Journal of a Piano Teacher from New York to California, Ludwig Van Beethoven, phrasing at the piano, piano, piano addict, piano blog, piano blogging, piano instructor, piano lesson, piano lessons, piano pedagogy, piano playing, piano playing and breathing, piano playing and phrasing, piano practicing, piano practicing motivators, piano studio in El Cerrito, piano study, piano teacher, piano teachers, piano teaching, piano teaching repertoire, piano technique, piano technique and the singing tone, piano tutorial, Pianostreet.com, pianoworld, pianoworld.com, playing piano, playing piano with crossed hands, playing piano with expression, playing the piano, practicing difficult piano passages, practicing piano, practicing piano passages with rhythms, practicing piano with relaxation, practicing the left hand at the piano, publishers marketplace, publishersmarketplace, publishersmarketplace.com, Shirley Kirsten, Shirley Kirsten blog, shirley kirsten piano teacher in El Cerrito, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, skyped piano lessons, Skyping piano lessons, slow mindful practicing, slow piano practicing, Steinway M, Steinway M grand, talkclassical.com, teaching piano, teaching piano to adult students, teaching piano to adults, teaching piano to children, whole body listening, whole body music listening, word press, word press.com, wordpress, wordpress.com, you tube, you tube video, yout tube

Part Six Piano Instruction, Beethoven’s “Tempest” Sonata No. 17, Op. 31 No. 2 and all FIVE teaching segments preceding

In order from Part One to Six: I. http://www.youtube.com/watch?v=Bd-lC_JeNS0 II. http://www.youtube.com/watch?v=T9VNsvfyNtE III. http://www.youtube.com/watch?v=ntQ4fJ-Swlg IV. http://www.youtube.com/watch?v=fargqHQiJfk V. http://www.youtube.com/watch?v=Pd52itE4aAQ VI. http://www.youtube.com/watch?v=nwQzBpWJWqs LINKS: Part ONE: Beethoven Tempest Sonata in D minor https://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/ Part TWO Instruction https://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/ Part THREE Instruction https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/ Part FOUR Instruction https://arioso7.wordpress.com/2012/04/04/piano-instruction-part-four-beethovens-tempest-sonata-in-d-minor-op-31-no-2-measures-55-93/ Part FIVE Instruction https://arioso7.wordpress.com/2012/04/05/piano-instruction-part-five-beethovens-tempest-sonata-op-31-no-2-measures-93-to-158-development-recitative-submerged-pedal/ PART SIX, referenced in You Tube format http://www.youtube.com/watch?v=nwQzBpWJWqs

Beethoven, Beethoven "Tempest" in Dminor Op. 31 no.2, Beethoven Tempest Sonata first movement, blog, blogger, blogging, blogging about piano, Classical era, Classical era piano music, classical music, Classical period sonata, El Cerrito, El Cerrito California, El Cerrito piano instruction, MTAC, musical inspiration, musical phrasing, musical phrasing and breathing, Oberlin, Oberlin Conservatory, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano lesson, piano pedagogy, piano playing, piano studio, piano studio in El Cerrito, piano technique, pianoworld, pianoworld.com, playing piano, playing the piano, playing the piano with a singing tone, practicing piano, Shirley Kirsten blog, shirley kirsten piano teacher in El Cerrito, shirley s kirsten, Shirley Smith Kirsten, shirley smith kirsten blog, slow mindful practicing, supple wrist in piano playing, talkclassical.com, teaching piano, teaching piano to adults, video instruction, word press, word press.com, wordpress, wordpress.com, you tube video, yout tube

Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

This is a hauntingly beautiful section of the first movement. After the composer has devoted so many preceding measures to the key of A minor, he decides to travel at quick intervals through a series of different keys. Such fast-paced modulations occur primarily with the return of the crossed-hands portion of the piece, beginning in… Continue reading Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

arioso 7, authors den, authorsden, blog, blogger, blogging, blogging about piano, blogs about piano, Classical era, classical music, classical period piano music, classissima, classissima.com, classisssima.com, El Cerrito, El Cerrito California, El Cerrito piano instruction, Facebook, How to practice Mozart Sonata in A Major K. 331, how to practice variation 2 Mozart Sonata in A Major K. 331, Journey of a Piano Teacher from New York to California, K. 331, keyboard technique, Mozart, MTAC, no. 11 K. 331, ornaments, pianist, pianists, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano lessson, piano pedagogy, piano playing, piano playing and phrasing, piano playing and the singing tone, piano practicing, Shirley Kirsten, Shirley Smith Kirsten, Variation 2 Mozart Sonata in A Major K. 331, word press.com, wordpress, wordpress.com, you tube, you tube video

Piano Instruction: How to practice Variation 2, Mozart Sonata No. 11 in A, K. 331 (Videos)

The biggest challenge in this particular variation is the fast-paced tempo and ornament execution--not to mention the fleeting 4 against 3 relationship of treble 32nds above 16ths in the bass. But the latter, should not be a big concern considering how quickly everything spins by. In the video instruction I suggest a step-wise practicing routine… Continue reading Piano Instruction: How to practice Variation 2, Mozart Sonata No. 11 in A, K. 331 (Videos)

arioso 7, blog, blogging, blogging about piano, blogs about piano, Classical era, classical music, classical period piano music, Classical sonatina, classissima, classissima.com, classisssima.com, Clementi Sonatina in C Op. 36 no. 1, El Cerrito, El Cerrito California, El Cerrito piano instruction, fingering and phrasing at the piano, fingering and piano technique, Fresno CA, Fresno California, Journal of a Piano Teacher from New York to California, keyboard technique, MTAC, music and heart, music and the breath, musical phrasing, Muzio Clementi, New York City High School of Performing Arts, Oberlin Conservatory, pianist, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano lesson, piano lessons, piano playing, piano playing and phrasing, piano playing and relaxation, piano playing and the singing tone, piano practicing, piano teacher, piano technique, Piano World, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing piano, playing the piano with a singing tone, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

Piano Lesson: The challenge of playing a slow movement

I chose Muzio Clementi's popular Sonatina in C, Op. 36, No. 1 to flesh out the contrasting middle movement designated ANDANTE by the composer. It's definitely a challenge to play just 6 lines of music with beauty and finesse. As a start, the player is exposed to realizing rolling triplet 8th-notes in the left hand… Continue reading Piano Lesson: The challenge of playing a slow movement

"The Return" by Burgmuller, arioso7, authors den, authorsden, blog, blogger, blogging, blogging about piano, blogs about piano, Burgmuller, Burgmuller's Op. 100 Twenty-Five Progressive Pieces, classissima, classissima.com, El Cerrito, El Cerrito California, El Cerrito piano instruction, El Cerrito piano studio, forearm staccato, Journal of a Piano Teacher from New York to California, keyboard technique, learning piano, mindful piano practicing, mindful practicing, MTAC, music, music and heart, pianist, piano, piano addict, piano blog, piano blogging, piano blogs, piano instruction, piano instructor, piano lesson, piano lessons, piano lessson, piano study, piano teacher, piano teaching repertoire, piano technique, Piano World, piano world-wide, pianoaddict.com, pianoworld, pianoworld.com, playing piano, playing staccato, playing staccato at the piano, playing the piano, playing the piano with a singing tone, practicing difficult piano passages, Romantic era music, Shirley Kirsten, Shirley Kirsten blog, shirley s kirsten, Shirley Smith Kirsten, video instruction, word press, word press.com, wordpress, you tube, you tube video

Burgmuller’s “The Return”–like a light opera, with interspersed drama (videos)

"The Return" from the composer's Twenty-Five Progressive Pieces, Op. 100, is ear-catching. Like an Offenbach opera replete with an Overture, it delights in a set of lighthearted staccato chords that spill into a passionate MINOR sequenced interlude, setting the heart afire. Extinguished by the revisit of Eb Major punctuations, the music drifts off by authentic… Continue reading Burgmuller’s “The Return”–like a light opera, with interspersed drama (videos)

Bay area piano instruction, Beethoven, building piano technique, classissima, classisssima.com, El Cerrito piano instruction, Journal of a Piano Teacher from New York to California, Ludwig Van Beethoven, pianist, piano, piano instruction, piano lesson, piano lessons, Piano Street, piano teaching, piano technique, Piano World, Shirley Kirsten, Shirley Smith Kirsten, Sonata Pathetique first movement by Beethoven, Sonatina no. 1 by Latour, word press, word press.com, wordpress, wordpress.com, you tube, you tube video

Building Piano Technique: Extracting passages from pieces to practice

Instead of playing through laborious Hanon and Czerny exercises to improve aspects of piano technique, a student can cut to the chase, by snatching selected passages from their pieces that magnify a particular technical/musical challenge. As an example, one of my adult students, devoted part of her lesson time to practicing a series of descending… Continue reading Building Piano Technique: Extracting passages from pieces to practice