Alessandro Deljavan, blog metrics, blogmetrics.org, pianist, piano, piano blog, Uncategorized

Alessandro Deljavan is a uniquely gifted pianist

Sometimes winners of piano competitions are not true messengers of great musical artistry. They might succeed in pleasing a panel of judges who often reward interpretive conformity and convention bundled in pyrotechnical displays, bestowing the Gold medal upon the least offending contender. Yet such a career launch may be short-lived once the round-by-round environment is… Continue reading Alessandro Deljavan is a uniquely gifted pianist

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Keeping up our skills as piano teachers, with an “eye” to taking on challenges

I couldn't resist juxtaposing the importance of learning new and challenging music with an "eye" toward how we can best accomplish our short and long-term goals within our teaching milieu. (The EYE metaphor becomes CLEARER and dual serving as the posting progresses.) *** So many music teachers have a tight schedule of back-to-back students that… Continue reading Keeping up our skills as piano teachers, with an “eye” to taking on challenges

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The “upper arm roll” and undulating wrist in piano playing

Many piano teachers call the same physical approach to various passages by a different name. I find myself in harmony with author, teacher, composer, Seymour Bernstein when he demonstrates the "upper arm roll" in Part 4 of his recorded series, "You and the Piano." https://youtu.be/lNYH8GQrdrc As it plays out in one my teaching videos, I… Continue reading The “upper arm roll” and undulating wrist in piano playing

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Schumann’s “Almost Too Serious” (Kinderszenen No. 10) requires get serious, step-wise practicing

When I first looked at a "seriously" complex page of dizzying tied-over (syncopated) notes in Schumann's "Almost Too Serious," (Fast Zu Ernst) I had a knee-jerk avoidance response--that is until I tapped into a permeating melodic thread that I isolated and wooed from its conspicuous alliance to myriads of off beats. In other words, I… Continue reading Schumann’s “Almost Too Serious” (Kinderszenen No. 10) requires get serious, step-wise practicing

Bach Prelude no. 17, Baroque music, blog, blogger, blogmetrics.org, BWV862, California, fingering, J.S. Bach, J.S. Bach Prelude in Ab, Johann Sebastian Bach, learning a new piano composition, making fingering choices, pianist, piano, piano blog, piano blogging, piano instruction, piano lessons, piano teaching, piano technique, piano tutorial, practicing new piano music, Preludes and Fugues, setting a good piano fingering, Shirley Kirsten, Shirley Smith Kirsten, tutorial, Well-Tempered Clavier

J.S. Bach Prelude in Ab, BWV 862: A Fresh Start for Student and Teacher

In the course of teaching, a situation may arise where a particular favored piece is requested by a student that I've never studied--which means a deep-layered journey is ahead of two learning partners. And given that J.S. Bach's Prelude and Fugue in Ab, (Well-Tempered Clavier Book 1) requires thoughtful fingering choices; an awareness of Baroque… Continue reading J.S. Bach Prelude in Ab, BWV 862: A Fresh Start for Student and Teacher

"The Endangered Piano Technician" by James Boyk, blogmetrics, blogmetrics.org, chuck Terpo, Classical music blog, pianist, piano, piano maintenance, piano technician, Shirley Kirsten, Shirley Smith Kirsten, word press, wordpress.com, you tube, you tube video

Piano Maintenance: Resolving a weighty problem

Chuck Terpo, who continues to finely regulate my Steinway M grand, gave an encore performance yesterday, as he meticulously "lightened" some weighty bass notes. His nifty maneuvers on display in my iPhone generated video, revealed an analytic approach and smooth follow-through. Watch Chuck methodically check the bass range, that was a bit too heavy for… Continue reading Piano Maintenance: Resolving a weighty problem

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Getting immersed in LEARNING Bach’s F minor Fugue, BWV 881 (Well-Tempered Clavier, Book 2)

My journey through the Baroque master's Fugue no. 12 has been a labor of love though the form enshrined by J.S. Bach can be intimidating by its structural nit-pickings. Wikipedia, for example, cites BWV 847 in C minor, (the Fugue) as a model of internal order, with a carefully marked out Subject;  Answer (a fifth… Continue reading Getting immersed in LEARNING Bach’s F minor Fugue, BWV 881 (Well-Tempered Clavier, Book 2)