Tag Archives: piano street

Pedaling Chopin Waltz No. 19 in A minor, Op. Posthumous

When considering ways to pedal Chopin’s ethereal A minor Waltz, I think back to Stephen Hough and his teacher’s comments about the learning process: “I don’t care how you’re playing the piece now, what I care about is how you’ll … Continue reading

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Piano Technique: Playing LEGATO can be a drag!

One of my favorite verbal prompts to students who have a choppy approach to scales and arpeggios, is: “drag” your fingers from note note–“feel” the weight transfer with imagined resistance. I often talk about flowing “vowels” not consonants through an … Continue reading

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My Steinway “M” Grand gets the Royal Treatment, DAY ONE!

Shawn Skylark was given a royal welcome as he crossed the threshold of my piano-filled apartment. On this FIRST day of TWO slated for regulating and voicing beloved Steinway M, (1917), seasoned technician, Skylark rose to the occasion with meticulous … Continue reading

Posted in blogmetrics.org, piano, piano blog, piano maintenance, piano regulation, piano voicing, Shawn Skylark, Shirley Kirsten, Shirley Smith Kirsten, wordpress, you tube | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

Stay LONGER with a piece for higher levels of learning and awareness

All too often piano students give up on a piece after so many weeks of exposure, thinking the fingering is settled, the beats are well-measured, and the notes have fallen into place. At this juncture, a Big STOP SIGN must … Continue reading

Posted in adult piano instruction, Bach, Bach Invention 13 in A minor, Bach Inventions, blogger, blogging, Classical music blog, J.S. Bach, Journal of a Piano Teacher from New York to California, piano blog, piano instruction, piano learning, piano teaching, wordpress, you tube | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Good phrasing: listen for the decay, and psyche out your piano

The theme of today’s Online lesson beamed from North Carolina was following the decay of a note from the end of a phrase into the next measure with a thread of continuity. To have good conjunction between phrases one has … Continue reading

Posted in adult piano instruction, Chopin, Frederic Chopin, Journal of a Piano Teacher from New York to California, piano, piano blog, piano blogging, Shirley Kirsten | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

GRAND comparisons

It’s always telling to compare a piano’s tone, resonance and decay in the showroom where purchased to its performance in one’s living space. Unfortunately, one cannot transport the piano to one’s home while evaluating it at the store. In this … Continue reading

Posted in Baldwin, Baldwin 165 grand piano, grand piano, piano, piano blog, piano blogging, Shirley Kirsten, Shirley Smith Kirsten, Steinway grand, word press, wordpress.com, you tube | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Piano Technique: Trills and the vocal model

Joyce Di Donato, “lyric-coloratura mezzo-soprano,” is my model for trilling. In an embedded you tube video, the opera singer emphasizes the undulating character of a beautifully executed trill that leans on the upper note. (Too often pianists deliver a robotic … Continue reading

Posted in classical music, how to trill on the piano, Joyce Di Donato, opera, operatic trills, piano blog, piano blogging, piano technique, piano trills, Shirley Kirsten, vocal model for piano playing, W. A. Mozart, Wolfgang Amadeus Mozart | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment