Angela Hewitt boldly emphasizes the importance of slow practicing in this brief video segment. She states that everything you do behind tempo should be molded into a faster reading as to phrasing, dynamics, etc. And it goes without saying that fingering is an important component of foundational work such as occurs with circumspect rehearsals at… Continue reading The value and application of slow piano practicing
The high point of my trip to NYC was inhabiting a paradise of pianos on "piano row." That's what they call "West 58th" between Broadway and 7th Avenue. In the imposing shadow of Carnegie Hall that envelops the neighborhood, Klavierhaus manages to retain its unique character amidst a glut of piano restorers such as Beethovens… Continue reading The premier piano “haus” on W. 58th!
The Urtext (original) editions of Bach's keyboard music offer sparse directions about phrasing/articulation, (groupings of notes) so the player has to make important decisions that reflect a Baroque style. But what are the guidelines in a process that has an intellectual and affective dimension? To the extreme, some pianists use pedal and soak up linear… Continue reading A J.S. Bach Little Prelude: Making decisions about phrasing and articulation
How do we make decisions about the time frame reference of Bach's music?
I must admit that when I journeyed to Piedmont Pianos before it moved out of downtown San Francisco, I wasn't taken by a huge, 10-foot plus Italian piano with extra keys that was the featured attraction. (The Giraffe piano at Peninsula in Palo Alto upstaged it) And the older, re-built Steinways on the S.F. premises… Continue reading Angela Hewitt, pianist, plays J.S. Bach beautifully on a Fazioli