Surfing the Internet, I discovered four inspired readings of my favorite Gershwin selections. These included performances of "I Got Rhythm," the three piano Preludes and Rhapsody in Blue. (I've already regaled Yeol Eum Son's riveting "Embraceable You" in a few previous blogs) First, Irina Morozova delivers a show-stopping, "I Got Rhythm," track 13 of Gershwin… Continue reading My favorite Gershwin performances (Videos)
Month: December 2011
Fresno isn’t such a bad place, after all (“Did Somebody Say Fresno?! Part V” on You Tube)
Not to be a stage mom, but my daughter, Aviva is having a good time doing her thing archiving Hollywood movies that more than mention Fresno. (She's just released, "Did Somebody Say Fresno?!" Part V.) Producer/video editor all in one, Ms. Kirsten makes a blockbuster cameo appearance in the opening, evoking Alfred Hitchcock's movie-making days.… Continue reading Fresno isn’t such a bad place, after all (“Did Somebody Say Fresno?! Part V” on You Tube)
George Gershwin’s Prelude no. 2, and the retirement home circuit (Videos)
When I did my retirement home tours, feisty tunes were more well-received than the melancholy Prelude no. 2 in C# minor. Everybody knew Gershwin’s “I Got Rhythm,” and “Rhapsody in Blue,” plus a truckload of Hoagy Carmichael favorites. So, looking back, I should have thought twice about featuring this musical gem as my opener. (as… Continue reading George Gershwin’s Prelude no. 2, and the retirement home circuit (Videos)
Domenico Scarlatti with wailing gypsies, flamenco flourishes, and daredevil displays (Sonata in D, K. 492)
http://www.youtube.com/watch?v=knhMGbpg8Fk This Baroque era composer never ceases to amaze me. A forerunner of the virtuoso school of keyboard playing, Domenico Scarlatti offers a potpourri of what seems like incompatible ingredients in one short Sonata serving. (K. 492, L. 14) He starts with a sprightly staccato opening in the MAJOR mode in parallel thirds then continues… Continue reading Domenico Scarlatti with wailing gypsies, flamenco flourishes, and daredevil displays (Sonata in D, K. 492)
Comparison of five performances: Liszt Consolation No. 3 (Piano-videos)
After listening intently to Horowitz's reading, I was curious to find others to compare. No doubt a diversity of opinion surrounds any performance, but I had some ideas about why I liked one reading over another. Daniel Barenboim: I always find that his playing is not only inspiring but thoughtful. He delivers an intimate performance… Continue reading Comparison of five performances: Liszt Consolation No. 3 (Piano-videos)
Horowitz plays Liszt’s Consolation No. 3 and why it’s so beautiful to our ears
http://www.youtube.com/watch?v=zS5LRRsNYZk Every so often a performance like this pops up on You Tube that allows the listener to reflect upon why the playing is so moving. This Romantic era composition, in slow tempo is no race to the finish line. The pianist is challenged to sustain a singing line without losing a thread of connection… Continue reading Horowitz plays Liszt’s Consolation No. 3 and why it’s so beautiful to our ears
Memoir: Shuffling through old Class pictures
An old cardboard box that yielded my New York City High of Performing Arts Yearbook and a flood of memories, revealed my portrait. I looked innocent enough, with a riveting quote beneath: "I know what is missing in the barrel rather than what is there." Perhaps it was a time-honored insecurity that adolescents might disclose… Continue reading Memoir: Shuffling through old Class pictures
Shrinking degrees of separation in the music world?
The musical universe is smaller than we think. And perhaps this writing will incubate a linked chain of "connections" that will go further--especially since my relocation to Berkeley, California (September, 2012) So here it is: Now that I'm well past my Oberlin Conservatory student years, I notice that Lillian Freundlich, my beloved teacher during my… Continue reading Shrinking degrees of separation in the music world?
“When Do I Play My Best?” An inspiring message from Seymour Bernstein
Seymour's playing in this tableau is divinely beautiful. And having sampled the pianist's artistry through many of his posted You Tubes, I wonder why he didn't get the recognition he deserved during his formative years, playing in public. At least now, at 85, he's enjoying a renaissance of interest in his teaching, music-making, and musical/life… Continue reading “When Do I Play My Best?” An inspiring message from Seymour Bernstein
Celebrating Christmas in the vocal tradition (Video)
When it comes right down to it, musicians "sing" through their instruments, and pianists with generous polyphonic resources (many voices) will find the melody and flesh it out as the tour de force of a composition. On this special day of Christmas I therefore chose la creme de la creme of a vocal model performance.… Continue reading Celebrating Christmas in the vocal tradition (Video)