Category: musicology

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Piano Instruction: A Beautiful Mozart Minuet in F Major, K. 5 that enlists the dipping wrist (Videos)

arioso7: Shirley Kirsten

I stumbled upon this musical gem when I purchased Mozart, 14 of his Easiest Pieces (Alfred, publisher) Not at all deceived by the description "easiest," I read through the collection knowing the challenge of interpreting the master's music with expression and refinement. It should be noted that this Minuet was composed by Mozart at the… Continue reading Piano Instruction: A Beautiful Mozart Minuet in F Major, K. 5 that enlists the dipping wrist (Videos)

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The Piano Universe of Discussion Boards, Digital Feedback, and Self-analysis (Video)

arioso7: Shirley Kirsten

I love to scan the Boards at Piano World, UK Forums, Piano Street, Piano Addict, and other stop-off points such as My Music Life Blogspot and Color in my Piano to get a feel for the concerns of piano students at all levels of study. This form of feedback that flows in and out of… Continue reading The Piano Universe of Discussion Boards, Digital Feedback, and Self-analysis (Video)

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Piano Instruction: Flexible wrist, rolling forward motion for shaping groups of notes in Burgmuller’s “Inquietude” (VIDEO)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=rEAm3TYmSIk I've chosen Burgmuller's E minor "Inquietude" (Restlessness) from the composer's Twenty-Five Progressive Pieces, to demonstrate a spring forward movement of the wrist used with groupings of three slurred 16th notes that permeate the selection. I also enlist syllables, "da-lee-dle" to assist with shaping the 3-note figures. http://www.youtube.com/watch?v=oyzhVZJODn0 The Schirmer edition is below. I use… Continue reading Piano Instruction: Flexible wrist, rolling forward motion for shaping groups of notes in Burgmuller’s “Inquietude” (VIDEO)

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Making Pianistic Compromises: Schubert Impromptu in Eb, Op. 90

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=VHFOPFzUxUw I was struck by a post at Piano World.com about making compromises when playing difficult passages. The writer referred to a technically challenging Chopin work: "But I simply cannot manage to get every note in on the two long runs, the first of which comes on measure 15. When trying to play to speed,… Continue reading Making Pianistic Compromises: Schubert Impromptu in Eb, Op. 90

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The MTAC Celebration Festival, Anna Magdalena Bach, and Meeting Keith Snell (VIDEO)

arioso7: Shirley Kirsten

Last weekend I journeyed to the Fresno State University Music Building to monitor Room 1 for the Celebration Festival sponsored by the Fresno branch of the Music Teachers Association of California. Every February students from our city and surrounding areas are invited to play one or two pieces in a selected cubicle, (basically a music… Continue reading The MTAC Celebration Festival, Anna Magdalena Bach, and Meeting Keith Snell (VIDEO)

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Teaching Chopin’s Gb Etude, Op. 25 no. 9: Think pogo sticks, “rollaleedles,” and elbow revolutions

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=4mvDKuMLEl4 Sometimes a piano teacher has no choice but to talk in silly made up syllables while drawing on playground analogies to get a particular piece off the ground. The Chopin Etude Op. 25 no. 9 in Gb was no exception. An adult student who revisited this warhorse responded positively to "rollaleedles," elbow taps, and… Continue reading Teaching Chopin’s Gb Etude, Op. 25 no. 9: Think pogo sticks, “rollaleedles,” and elbow revolutions

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What can you do with a Performance-Piano Degree?

arioso7: Shirley Kirsten

Face the music! Most new Conservatory grads with fancy Bachelor of Music, Performance-Piano Degrees bound in leather must improvise when catapulted into the competitive job market. With only a tiny space on the world stage reserved for budding soloists, many aspiring concert pianists will teach privately, wait tables, babysit, or become high school choir accompanists.… Continue reading What can you do with a Performance-Piano Degree?

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Piano teachers, students, and reluctant farewells

arioso7: Shirley Kirsten

  Lillian Freundlich *** For many piano teachers who've nursed along students from Primer toddlerhood to an Intermediate level confidence-climbing phase, through to the Advanced, smooth riding finish with flashy fingers, the pupil's farewell is an emotional event. Of course, it depends on the circumstances of the departure and who is saying goodbye to whom.… Continue reading Piano teachers, students, and reluctant farewells

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Adult piano students say and do the darndest things.

arioso7: Shirley Kirsten

I remember Art Linkletter's show, "Kids Say the Darndest Things," which made me think of a few adult piano students and their hauntingly memorable words. Yesterday, for example, I was forewarned by a 70-year old pupil, that I should expect a call from her during the night about the key of "F# minor." What impending… Continue reading Adult piano students say and do the darndest things.

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Piano Technique: Big Leaps, Crossed Hands, and shifty eyeballs (with slow motion video replay)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=JZxNy1VeOjk up tempo: http://youtu.be/t-3D6-s5qok Be prepared to exercise your eyeballs minus head movements when tackling large leaps, especially those hand-over-hand acrobatics that are intrinsic to many of Domenico Scarlatti's sonatas. In the first video I've isolated a few of these jumps from Sonata K. 113 in A Major, demonstrating what I've found to be the… Continue reading Piano Technique: Big Leaps, Crossed Hands, and shifty eyeballs (with slow motion video replay)