Every so often I revisit a composition I've previously studied applying a different perspective. In Scarlatti's A Major Sonata, with its very demanding Allegrissimo tempo marking that makes the crossed hand sections seem impossibly difficult, I decided to parcel out pertinent measures in practice tempo. The goal was to inch up to a faster rendering… Continue reading Piano Technique: Using a spring forward wrist, and arc motions for hand crossovers in Scarlatti Sonata in A, K. 113 (three videos)