Tag Archives: Murray Perahia

“Listen to the Long Notes”

Five words resonated profoundly through a Masterclass given by Pianist, Andras Schiff at the Juilliard School. They framed a myriad of movements in Baroque, Classical, and Romantic eras. Three students offered selections by Bach, Schubert and Schumann. (The event was … Continue reading

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Chamber music and pianists: seamless interaction, ensemble, and musical growth

Most piano students don’t get ample opportunity to play piano trios, quartets, quintets, etc. because they’re consumed with learning solo repertoire and developing their technical/musical skills. Thankfully, the ongoing Cliburn International Piano Competition, in progress, fills this common void by … Continue reading

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Murray Perahia’s earliest piano teacher and her influence on him

Jeannette Haien is rarely recognized for her role in Murray Perahia’s musical development, though it’s clear through her own words, (rekindled posthumously) that she must have had a profound effect on him. (She was Perahia’s mentor from age 4 to … Continue reading

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Learning J.S. Bach’s “Sheep May Safely Graze” (Egon Petri piano transcription)

Egon Petri offers a transcription of J.S. Bach’s “Sheep May Safely Graze,” (based on the Baroque composer’s “Birthday” Cantata) and it’s drawn a cult of admirers, mostly adult students begging to learn it. The work originally scored for two flutes, … Continue reading

Posted in Bach, Egon Petri, J.S. Bach, Johann Sebastian Bach, piano, piano arrangement, piano transcription, Sheep May Safely Graze, Shirley Kirsten, Shirley Smith Kirsten | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 10 Comments

Does any one piano method or playing approach work?

Most piano teachers get inquiries from parents who are riveted to “methods.” The most frequently posed question is, “can you tell me how you teach?” Under duress and painted into a corner, a prospective mentor’s perfect, all-encompassing answer seems unattainable. … Continue reading

Posted in Grigory Sokolov, Irina Morozova, Livia Rev, Murray Perahia, piano, piano methods, piano teaching | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

Happy Birthday, Irena Orlov, Murray Perahia, and Yevgeny Sudbin!

Today is a super-reblog day as April 19th rings in the Spring birthdays of three musical giants! First to update a documentary that I originally critiqued about Irena Orlov. https://arioso7.wordpress.com/2011/11/26/reaching-beyond-a-documentary-about-an-inspiring-piano-teacher/ And now the sequel: Reaching Beyond: Seven Years Later https://www.youtube.com/watch?v=GwckybMRXlg&feature=em-uploademailContinue reading

Posted in birthdays, Happy Birthday, Irena Orlov, Murray Perahia, musician birthdays, Yevgeny Sudbin | Tagged , , , , , , , , , , , , , , , , , , | 3 Comments

Chiming in the New Year with my favorite piano performance picks!

Grigory Sokolov grabs a deserved spotlight in this bedazzling performance of Schubert’s Klavierstucke No. 1 Bruno Sainmangeon, producer and documentarian captured Sokolov in the same acoustically favorable Berlin space that Murray Perahia chose to deliver the memorable Bach Partita in … Continue reading

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