Adult piano student stumbling blocks and overcoming them

I sometimes offer a bit of counseling to my brood of adults who often fall into a pit of pervasive self-punishment. The beating up myself student, will often berate himself/herself for having played a scale or piece better before the lesson began. The pupil reasons, if only the teacher disappeared or never showed up, he/she…

Capturing the rocking motion of Mendelssohn’s F# minor Venetian Boat Song

In Felix Mendelssohn's Op. 30, No. 6 Gondola Song, the very character of the lilting motion is sustained in the Left Hand with a metrical awareness of Two beats per measure, not 6. The composition (from the Songs Without Words album) is in 6/8 but translated as duple compound, giving a leaning emphasis on the…

A Teacher/Student fueled discovery about Staccato playing

I never cease to be amazed by a mutual discovery process that's ongoing between me and my adult students. Without our learning partnership, we would not have periodic awakenings that feed our reciprocal musical development. Case in point, is the attainment of Staccato refinement in its most crisp and animated form. In the past month,…

My Steinway M piano is back!

It took the awesome skills of a former Alabaman to resurrect my once beloved M from the dead. The keyboard had been an injury risk for months, plundered by too many technicians with pet regulation formulas and experimental impulses. After 6 months of rotating down weights and disappearing aftertouch, the black keys sat out of…

My Piano Assessment adventure at Walnut Creek’s Steinway Piano Gallery

https://youtu.be/eXqw5iE2sIk Piano Teachers and performing pianists in the Bay area were tapped to evaluate the tone/touch dimension of Steinway, Boston and Essex pianos so I was pleased to be on the invite list--contacted by Justin Levitt, Manager at Steinway's showroom in Walnut Creek, CA. It was a reflection of good will spread far and wide…

Piano Lesson summary videos cut to the chase

I used to customarily record segments of lessons in progress that required sensitive editing before I uploaded them to you tube. It was not only a big job, but much of the video time was taken up with students lumbering through difficult passages, needing more settled post-lesson time to sift through teacher corrections, comments. Therefore…

Flower Piano in photos at the San Francisco Botanical Garden

For twelve days pianos of all shapes and sizes were sprinkled through a verdant paradise as players with diverse repertoire from jazz to Classical serenaded clusters of listeners and a large brood of Canadian Geese. Nature's backdrop was irresistible. This white grand was a challenge to navigate with its stiff, moisture-filled action, though some players…

Early Musical Exposure and its importance

I recall my early childhood in the East Bronx on Featherbed Lane. At age 2 or 3, I was exposed to music emanating from a victrola perched on a corner table in a small two-room flat. From sunrise to sunset, heart-throbbing violin concertos, interspersed with operatic solos of Puccini played endlessly. My mother, standing by…

Does any one piano method or playing approach work?

Most piano teachers get inquiries from parents who are riveted to "methods." The most frequently posed question is, "can you tell me how you teach?" Under duress and painted into a corner, a prospective mentor's perfect, all-encompassing answer seems unattainable. And upon closer consideration, a boundary limited approach for every student who crosses the threshold…

Tiers of dynamics, well-regulated pianos, and expressive playing

The legendary pianist, Shura Cherkassky made triple ppps (pianississimos) melt in his hands through a fluid keyboard approach that encompassed an array of colors and shadings. In Shura's exemplary performance of Saint-Saens' Swan the pianist's multi-voice tier of dynamics was particularly astounding for its repository of textural timbres. Not surprisingly, the artist's touch sensitivity intertwined…