Category: Chopin

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The very first Chopin Waltz that I teach: #19, Op. Posth. in A minor (Video instruction)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=CJ--gGIwgAA After decades of teaching the Chopin Waltzes, I've come to the conclusion that the A minor, No. 19, Op. Posthumous is the best student introduction to the form as the composer cultivated it. While many other Waltzes in Chopin's collection are far more substantial and technically challenging, No. 19, is in my opinion, easiest… Continue reading The very first Chopin Waltz that I teach: #19, Op. Posth. in A minor (Video instruction)

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A Day with Two Piano Finalists

arioso7: Shirley Kirsten

A Kawai and Chickering were in a tight race, until one took off and surpassed the other. My whole Saturday was consumed with evaluating two pianos: a practically brand new "Kawai" 5'1" grand and a larger, nearly 5'8" size "Chickering," 1980. The Kawai captured my interest because a smaller studio upright of the same brand… Continue reading A Day with Two Piano Finalists

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DREAM PIANO: Overview and Acknowledgments

arioso7: Shirley Kirsten

My two-year long romp on the piano finding trail with York as my professional companion and consultant had been worth all the time spent in, around and under pianos. How else would I have acquired knowledge about the piano’s harp, or cast iron plate were it not for his having the bravado to dismantle it… Continue reading DREAM PIANO: Overview and Acknowledgments

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Piano Lesson: An advanced adult Student plays Chopin Etude Op. 25, No. 9

arioso7: Shirley Kirsten

We are practicing behind tempo because the student began studying this Chopin Etude Op. 25 No. 9 about two months ago. http://www.youtube.com/watch?v=DzcBrwi6foY "Joy" took piano lessons as a child and young adult, and then had a period without instruction. She started studying with me almost three years ago, and in that time we have explored… Continue reading Piano Lesson: An advanced adult Student plays Chopin Etude Op. 25, No. 9

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Patricia Frederick’s text is provided in full where it had some missing parts in the Fritz Blog.

arioso7: Shirley Kirsten

Due to margin mechanics problems, part of Patricia Frederick's text was missing in today's blog on the Fritz piano, so here are the entire paragraphs which have relevance to the discussion. Patricia Frederick http://www.frederickcollection.org/ "What I particularly like about Viennese actions such as the Fritz, is that the single escapement gives such a direct sense of being in… Continue reading Patricia Frederick’s text is provided in full where it had some missing parts in the Fritz Blog.