Category: Mozart

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The pianist as conductor, choreographer, and singer (Mozart Andante, Sonata in C Major, K. 545)

arioso7: Shirley Kirsten

How to integrate the physical, emotional and singable when learning Mozart's Sonata in C Major, K. 545, Andante.

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Comparing performances of Mozart Sonata in C, K. 545, Movement 1, Allegro (Tempo, alone can make a big difference)

arioso7: Shirley Kirsten

Over time, when we return to a piece that is well-learned, and in some cases has become a bit too predictable without a touch of inspiration, a revitalized, updated version might be worth a try. In this regard, I'm always re-recording time-honored pieces periodically, to refresh them. To broaden my perspective, I search You Tube… Continue reading Comparing performances of Mozart Sonata in C, K. 545, Movement 1, Allegro (Tempo, alone can make a big difference)

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Piano Technique: Here come the crossed hands in Mozart Sonata in A Major, K. 331 (Variation 4) Videos

arioso7: Shirley Kirsten

Breathe a sigh of relief if you've managed to brave the difficult parallel octaves in forte legato! (Variation 3) Mozart is not done. He challenges you in Variation 4 with left-hand-over-right maneuvers. So be ready to relax your wrists and arms. Otherwise, you're in for a bumpy ride. Count your blessings that Domenico Scarlatti had… Continue reading Piano Technique: Here come the crossed hands in Mozart Sonata in A Major, K. 331 (Variation 4) Videos

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Piano Instruction: How to practice Variation 2, Mozart Sonata No. 11 in A, K. 331 (Videos)

arioso7: Shirley Kirsten

The biggest challenge in this particular variation is the fast-paced tempo and ornament execution--not to mention the fleeting 4 against 3 relationship of treble 32nds above 16ths in the bass. But the latter, should not be a big concern considering how quickly everything spins by. In the video instruction I suggest a step-wise practicing routine… Continue reading Piano Instruction: How to practice Variation 2, Mozart Sonata No. 11 in A, K. 331 (Videos)

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Piano Instruction: How to practice Mozart Sonata in A, K. 331, Variation 1 (Video)

arioso7: Shirley Kirsten

The video attached explores how to analyze and practice Variation 1 of Mozart's Sonata in A, K. 331 which is distinguished by its opening movement in Theme and Variations form. The following link provides provides exploration of the opener: https://arioso7.wordpress.com/2012/03/17/the-most-heavenly-piano-music/ Its lilting theme threads through each of 6 variants, retaining the binary form, and enlisting… Continue reading Piano Instruction: How to practice Mozart Sonata in A, K. 331, Variation 1 (Video)

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The Most Heavenly Piano Music?

arioso7: Shirley Kirsten

Mozart's Theme from his A Major Sonata, K. 331, and Beethoven's Adagio from the Sonata "Pathetique," Op. 13, for me, have two of the most hauntingly beautiful melodies in the piano literature. In particular, Mozart's opening theme that threads through the composer's innovative first movement in Variation form, is a lilting lullaby, played in TWO,… Continue reading The Most Heavenly Piano Music?

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Murray Perahia, pianist, is in a league of his own! (Videos)

arioso7: Shirley Kirsten

Okay, so I borrowed a snatch from a movie title about a woman's baseball team keeping the diamond percolating with energy during World War II. And Geena Davis did a superb job as the lead, but in all honesty, Murray Perahia does one up on her at the piano. His playing field encompasses 88 keys… Continue reading Murray Perahia, pianist, is in a league of his own! (Videos)

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Celebrating Christmas in the vocal tradition (Video)

arioso7: Shirley Kirsten

When it comes right down to it, musicians "sing" through their instruments, and pianists with generous polyphonic resources (many voices) will find the melody and flesh it out as the tour de force of a composition. On this special day of Christmas I therefore chose la creme de la creme of a vocal model performance.… Continue reading Celebrating Christmas in the vocal tradition (Video)

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Mozart memories, reflections and revisits (Videos)

arioso7: Shirley Kirsten

Andante: second movement, Mozart Sonata K. 545 played on my Steinway, 1917, M. http://youtu.be/PPYKK3hOjnk **** My relationship to Mozart and his music began with the violin. At the Merrywood Music Camp in Lenox, Massachusetts, only a stone's throw from Tanglewood, I encountered Eugene Lehner, first violist of the Boston Symphony when I played second violin… Continue reading Mozart memories, reflections and revisits (Videos)

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The Old World playing, like fine wine, of Livia Rev, Hungarian pianist and teacher (see her teaching segments on the pliant wrist)

arioso7: Shirley Kirsten

So now I am into documentaries about piano teachers/performers who leave an eternal imprint on their students and upon the world. Livia Rev is one such special person who belongs in the good company of Irena Orlov, Irina Gorin, and Rosina Lhevinne. Note the frames on Bela Bartok, and Ms. Lev's connection to-- a letter… Continue reading The Old World playing, like fine wine, of Livia Rev, Hungarian pianist and teacher (see her teaching segments on the pliant wrist)