Category: classissima

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Piano Instruction: Avoiding a Crash and Burn in Fast Tempo (Video)

arioso7: Shirley Kirsten

One of my adult students asked about how to stay in control when playing fast passages on the piano. She had found herself stumbling in brisk tempos, getting anxious, over-crowding the notes, and finally becoming so tangled up that she had to stop. The music essentially came to a grinding halt. My advice to her,… Continue reading Piano Instruction: Avoiding a Crash and Burn in Fast Tempo (Video)

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My own slow practicing, Presto Agitato, Beethoven’s “Moonlight” Sonata (VIDEO)

arioso7: Shirley Kirsten

This was an opportunity to sift through the first part of the last movement in slow motion following the collaboration with my adult student yesterday. My below tempo practicing, was a baby step progression to a more bravado reading. (when ripening takes effect) This particular practice routine fleshed out various harmonic landmarks, chordal blocks, and… Continue reading My own slow practicing, Presto Agitato, Beethoven’s “Moonlight” Sonata (VIDEO)

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Piano Lesson: An Adult student practices the Presto agitato mvt. Beethoven “Moonlight” Sonata (Video)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=wxmwAUIu3eY The Chromatic scale to the end of movement: http://www.youtube.com/watch?v=Gtquw8qNbXg R.K. wished to remain anonymous because of the nature of his work, but, nevertheless, he's a devoted student of the piano. I met him at the American Cancer Discovery Shop, on Bullard and West in Fresno about 5 years ago when I was a regular… Continue reading Piano Lesson: An Adult student practices the Presto agitato mvt. Beethoven “Moonlight” Sonata (Video)

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Composing activity during a piano lesson: Claudia, age 8, surprises me with her new creation (Video)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=mTcRB02EVHU http://www.youtube.com/watch?v=hF5sg3LsTe0 Eight-year old Claudia surprised me today when she brought a melody she had composed. Her new book, Faber Adventures, Lesson Book One inspired her to create a piece beginning with notes on the first four lines of the treble staff. Together, we explored the first phrase of her music, worked on fingering, rhythm… Continue reading Composing activity during a piano lesson: Claudia, age 8, surprises me with her new creation (Video)

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Piano Lesson: W.A. Mozart Rondo Alla Turca: Allegretto from Sonata, K.331 (Videos)

arioso7: Shirley Kirsten

In my instructional video, I discuss how Mozart's light-hearted Rondo is formed and ways to practice it. (The Rondo has a redundant "A" section, interspersed with contrasting B, C, D, etc. musical material) There's a dualism of "A" minor/"A" Major in this concluding movement, not to mention a very moving "D" section interlude in F#… Continue reading Piano Lesson: W.A. Mozart Rondo Alla Turca: Allegretto from Sonata, K.331 (Videos)

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My Haddorff piano plays Beethoven’s “Moonlight” Sonata, First Movement: Adagio Sostenuto (Video)

arioso7: Shirley Kirsten

A piano with Old World character and honey dipped resonance. Pat Frederick of the Frederick Collection of Keyboard instruments, agreed that my Haddorff has something very special, and she proceeded to share the news of her latest additions: a 1902 Chickering, and Pleyel. These pianos, among other treasures, are living, breathing instruments that are played… Continue reading My Haddorff piano plays Beethoven’s “Moonlight” Sonata, First Movement: Adagio Sostenuto (Video)

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A new member of the piano family has arrived: “Haddy,” 1951 is home! (Video)

arioso7: Shirley Kirsten

Yesterday was a sight to behold. My Haddorff, 1951, a stunning new acquisition, with an old world timbre (though it still needs a thorough maiden tuning in its new abode), was wheeled on a dolly, wrapped in blankets through the streets of Northwest Fresno. Traffic yielded, and two drivers jumped out with cameras. Two business… Continue reading A new member of the piano family has arrived: “Haddy,” 1951 is home! (Video)

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Piano Practicing: Re-doing and Refining

arioso7: Shirley Kirsten

Studying piano, playing through the great piano literature, requires revisiting, re-doing and refining our work. This undertaking should not carry a value judgment that what preceded was poor or inadequate. Those adjectives do not belong to the process of learning. After all, we do not fault babies for crawling before walking because we realize it's… Continue reading Piano Practicing: Re-doing and Refining

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Piano Technique and Weight Control: Bringing out and balancing voices (Video) Teacher, Shirley Kirsten

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=aCck4ZFNeQI When students do routine scales and arpeggios as warm-ups to their tour de force pieces, I like to spice things up a bit by playing around with voicing and weight control. (Yes, you heard me right) I'll surprise them by asking for the Left hand notes to be fleshed out, while the Right ones… Continue reading Piano Technique and Weight Control: Bringing out and balancing voices (Video) Teacher, Shirley Kirsten

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Piano instruction: Beethoven’s Sonata “Pathetique,” Adagio mvt.–applying voice analysis and muscle memory to the opening ( 4 Videos)

arioso7: Shirley Kirsten

The Adagio movement of Beethoven's Pathetique Sonata requires attentive listening, deep in the key practicing, muscle memory, and a natural breath that flows out of phrases. I start with the top most voice and work my way through to the alto and bass. (practicing individual lines) http://www.youtube.com/watch?v=C4qME1l6Oqo Blocking is applied to the alto and should… Continue reading Piano instruction: Beethoven’s Sonata “Pathetique,” Adagio mvt.–applying voice analysis and muscle memory to the opening ( 4 Videos)