Comparing Interpretations of Bach Prelude in C minor, BWV 847 (Well-Tempered Clavier Book 1)

Over a year ago, I posted a tutorial about the harmonic rhythm of Bach's C minor Prelude (WTC I) to help myself and others navigate strings of 16th notes with an awareness of shape, direction, and resolution. This was my springboard to learning the composition and it remains a good reference. http://youtu.be/yAa8YcW7lMI However, my you…

Pianist, Martha Argerich waxes poetic about her career, old age, and more

I was entranced by an interview conducted with Maestra Argerich on the eve of the 2009 Nobel Prize ceremonies in Stockholm. She was to give a concert, playing the Ravel piano concerto, but graciously paused to share her deepest thoughts and musings about music, life, communication, getting old and more. The interviewer was on the…

Bringing the Keyboard closer to the long distance piano student

Yesterday, my Logitech cam was un-clipped from the Big Mac during a lesson to Greece. The pupil, hanging out on the island of Kos, needed a graphic representation of my hands braving a few difficult measures in Bach's Little Fugue in C Major, BWV 952. It's the composition where the composer challenges the player to…

Hand-switching and Chopin (making a piano duet out of a solo)

I did a double take watching footage of yesterday's lesson in the El Cerrito Hills. Seeing two arms, one half-sleeved, and the other firmly wrapped in olive green, made me wonder if an alien from Mars had landed squarely at the piano. Upon closer inspection, the camera had played tricks on me, creating an optical…

Into the Hills with the Sound of Music –a Baldwin Acrosonic “acoustic” sings

The video attached to this writing validates the beauty of music-making on a well-maintained, though 1940s vintage era acoustic piano. Baldwin Acrosonics were the Cadillacs of the spinet and console variety pianos. They had a noticeable innovation compared to their sister-size instruments. (A deeper sound chamber, especially noted in the consoles that measured 40" or…

The piano learning process at all levels of study

In spite of my having studied piano for decades, each learning experience is filled with challenges that I must approach with a glut of patience. A new composition has its own form, architecture, harmonic rhythm, fingering that requires a big reserve of self-acceptance in a deadline-free frame. To the contrary, many of my students, who…

Piano Instruction: Can we over-analyze a Bach fugue?

Little Bach Fugue in C, BWV 952 required insights into its organized structure so I could better teach it. But how much analysis was required and could it be trusted?

Piano Lesson: What I learned from an adult student about Bach Invention 4 in D minor (VIDEOS)

Today was an ear-opener, though I admit to having had a set of preconceived ideas about this Bach composition. (in two-part counterpoint) Just from having studied it myself, parceling out each separate voice in a step-wise, layered approach, I could impart what I learned as a self-delivered lecture. But the ingredient, of adding a student…

Rekindling memories of Van Cliburn, the Cold War, Kirill Kondrashin, etc

A friend sent me a link to her favorite performance of Tschaikovsky's Bb minor, WARHORSE concerto-- the one with the big splash CHORD opener. Pianists dream of conquering these sonorities without a falter, but not necessarily in their lifetime. For me the easiest way to reach to the stars on this one, was to sit…

A pianist is a COLLABORATOR NOT an “accompanist”

The "A" word is officially banished from my vocabulary, even if its residual usage in books, newspapers, old reviews, can't be controlled. To boot, anyone who's been handed a stack of music by the High School vocal teacher to ready for the mid-year Christmas program and a few others in between Thanksgiving and semester break,…